May 2013: The Denouement

Day 160: NOTHING like the feeling of finishing processing a huge stack of paperwork. Essays are one thing–they are actually pretty fun if you don’t do them all at once or put them off. But, say, 55+ reading assessments that measure fluency and comprehension and have to be entered into a district database? It can turn one’s brain into creamed corn. However, thanks to headphones, and Wussy and Thee Oh Sees on my iPod, I knocked out my last-ever stack of those. Verdict: I didn’t seem to have damaged any of my kids–honestly, most held steady–and some (some, I emphasize) may actually have benefited by my proximity and enthusing, if not my expertise, which in this field is non-existent beyond simple modeling. Big effing sigh of relief.

Day 161: One of my third-block Brit Litters brought a friend from Liverpool, England, to class today. I felt very good that, without planning specifically for the occasion, we discussed Oscar Wilde and “heard” P. G. Wodehouse, George MacDonald Fraser, and Joris-Karl Huysmans (not a Brit–a frog for provocation’s sake?). None of those “honky Beatles who ruined rock and roll”*), though. (* John Waters, “Hatchet Piece: 101 Things I Hate,” Crackpot)

Day 162: I am in the legendary HHS Media Center grading mini-essays and blasting this through my Bose, much to my GREAT pleasure–E’s got staying power and so does hyphy. I look around at the kids with phones on and wonder if their ears are being treated this well! This post is dedicated to my former student Shawn Henson–check in if you are out there somewhere.

Day 163 (officially longer than a dang baseball season!): Opened today’s first class by asking how prom was. One of my seniors said, “Good and bad. The music was good, but my date danced with me twice, then left me for another guy.” To reassure him, I informed him that a man’s heart must be stomped flat as three-day-old squirrel carcass on an interstate before he can JUST begin to make progress, then to illustrate my meaning, I told (for the 117th time) the story of how, barely straightened upright from a fetal crying-cramps position on a dirty bachelors’ carpet at age 29, post-heart-assassination, I went to my then-best friend’s house to wear his ears out about my romantic tragedy, only to find a young lady who was renting a room from him who had to hear my story instead, who was there the next two days and had to hear the tale YET again in more tortuous variations, who then invited me to the park to play Frisbee (and, in the ensuing flinging match, wiped out hilariously at the feet of a shocked senior citizen couple–should have noted that omen!), who, after another seven days of accidentally and/or serendipitously hanging out, dared to go to a show with me (Coctails, Murphy’s, Springfield, 5/9/90), at which I asked her, after giving her a Sister Rosetta Tharpe cassette, “Are we dating?”, after which she said, “I guess we are,” and who, as of 10:00 pm this coming Thursday night will have been with me for 23 years now. Patience, children, don’t settle for just anyone–sometimes the best strategy is just to quit looking and swear yourself to monkdom. Worked for me!

Day 164: Brit Lit Film Fest sure shot if there ever was one today—Strangers on a Train. Wicked fun in no need of translation. Also, thanks to Kevin Walsh at KOPN for featuring Dorf on Golf (in a few minutes…89.5 FM), a high school crustabilly duo you’ll be hearing about.

Day 165: If any young teachers are out there tuning in, I couldn’t recommend a project more highly than portfolios. My Brit Lit students must present an electronic portfolio containing their four best pieces, each accompanied by a reflective essay, and a summative essay in which they trace their growth as writers, thinkers, and humans. It’s a royal pain in the ass for students to put together and for me to grade, but most of us find it to be worth it, and, in the digital era, it’s better than keeping your work in a shoebox or three-ring binder. Beginning in late April, they schedule 15 minutes to come walk me through their portfolio and officially submit it for grading; if they score 216 or better out of 250, they get to skate on the final. My favorite part, though, is having one last chance to talk to each student one-on-one for a few minutes after his or her conference, after I’ve really had a chance to get to know them and zero in on their strengths. That, my friends, is the ONE useful thing I picked up from my master’s work. Unfortunately, I probably will not be able to do portfolios next year, as it will require me to be on-site more hours than I am allowed.

Day 166: I will certifiably miss intelligent, probing, daring discussions of what today in fourth block (my star discussion class) we determined to QUIT calling racial issues (genetics don’t back that) and BEGIN calling “instances of pigmentation-based ignorance” (we agreed that phrase underlines the stupidity of the practice better, and is just more truthful). We had just finished watching a great film called Prom Night in Mississippi and, though I suspect they were simply doing it to avoid taking a computerized reading assessment (epic fail there), my eight remaining students, particularly Michael Linzie-Hayes, launched a series of GREAT questions: How integrated is Hickman, really? What would real integration look like? How do you break the chain of family-enforced prejudice? Why do you see so few young white men dating young black women, and so many young black men dating young white women (they were talking about Hickman, I think)? Why are there still black, brown, yellow, and white tables in the cafeteria? And–I saw it coming a mile away–“Mr. Overeem, did you ever go out with a girl of a different pigment?” (Sha’Quan Davis–OF COURSE.) At that point, we HAD to get down to the computer lab to get that test taken….

Day 167: Long day–battling a cold, plagued by what I think is a pinched nerve in my neck, trying to stay focused through 11 portfolio conferences, I can’t WAIT to get home and crash. I’m about to pull out of the east circle drive, when I notice a nice rental…with a familiar face behind the wheel. We both about wreck our (and others’) vehicles trying to get parked, and about crush each other in a bear hug: from 1990-1993, Shawn Henson was one of the most unique kids at Hickman, and, though at 38 he ain’t a kid no more (Lord knows, neither am I), he is still plenty unique–right now, trying to get a horror movie off of the ground. The 40 minutes we talk on the sidewalk are the only minutes of the day my pain is gone. This post is dedicated by Shawn, Nicole, and me to the late Cleveland Adams.

Day 168: A special treat for Core 2, Brit Lit. We had a “dead day” between my last day of instruction and Thursday’s final, so I spun a tale (specially designed for those students whose hearts had been trod upon), a three-pronged one (just like a training-wheels thesis statement), in which the SAME girl, who shall remain nameless, a) read my daily love notes aloud to her friends in her language arts class in 7th grade–for amusement, if that need be said–yet did not break up with me after a massive snot bubble of mine popped on her face while I was trying to deliver one of said romantic epistles; b) broke up with me, again in 7th grade, after a church group trip during which I failed to interpret the sexual symbolism of overalls; and c) made out, blatantly and wickedly, with my supposed friend, right in front of me and everyone else, at a party (on the very couch I had fantasized making out with her on), sending me into such a paroxysm of adolescent agony that, having TWO hayride truck beds to choose from later in the evening, I jumped into THEIRS, rent my shirt (in the cold spring rain, no less), fell to my knees at their feet, and screamed, “Whyyyyyyyyyyyyy??????”–not realizing I had no fallback position other than jumping out of the truck. Absolutely true series of stories, and it explains much about me (namely, why I really loved teaching 6th and 7th graders). That stuff hardwires itself into a 13-year-old, now! Note: The kids also got an eight-minute bonus tale in which I recounted the closest I’ve ever come to being arrested–in the Liberty Palace Disco parking lot in Columbus, Kansas, and there’s a policeman who, if still alive, could tell it even better than I can….

Day 169: Received my first-ever thank-you note from a student for his being able to be involved in our school’s pretty-much simulated radio station. Made my day–seriously. In related news, if you’re a Columbian, tune into KOPN 89.5’s “The So-Called Good Life,” hosted by Kevin Walsh, between 4 and 4:30 pm today to hear some of our Battle of the Bands talent.

Day 170: Last day of Brit Lit, and some kids dropped this off on the way out. One of the coolest gifts I’ve ever received, and I’m wearing it tonight if I have to crank up the AC! Note: You may wonder what Dylan’s doing on the shirt. In a mini-unit, I used “Desolation Row” and some other songs to illustrate some of the ways the British ballad has survived–and to have fun with language and allusion–and it happened to be the favorite of the student whose idea this was.

 

Present 1Present 2Present 3

Presents from B Day, Block 2, Brit Lit

Day 171:

Just the HIGHLIGHTS….

*So long to one of the most interesting and fun senior classes in awhile–at least the ones I got to spend time with.
*Congrats to Vanessa Nava and Anthony Denny, first annual winners of the Hickman Academy of Rock/Columbia Academy of Music scholarship (see below).
*Big props to Clayton Pickens, a literacy seminar student who scored in the AP reaches on his last STAR test.
*Tip of the hat to guidance counselors Isaiah Cummings and Todd Maher for really caring about students in tough and ultra-busy times.
*My compliments to my favorite rock and roll couple Spenser Rook and Marielle Carlos for spinning some cool vinyl in the radio station today: Hugo Montenegro’s music for Eastwood spaghetti Westerns and Beatles for Sale.
*My fond regards to Melissa Trierweiler for giving me the last senior hug of May 17, 2013. (And I am not a hugger–she’s just a great kid.)

And one kernel of wisdom, for what it’s worth: a senior prank cannot be good if it inflicts more pain and work on custodians, who under no conceivable teenage rubric should ever be the target of a prank. I leave it to others to judge whether today’s pranks violated that.

Winners

Scholarship winners Vanessa Nava (right) and Anthony Denney (left)

Day 172:

10 Inducements to Youth Considering a Career in Teaching*

1) It is never boring–or at least it never was at Parkview High and Smithton Middle School, and NEVER has been at David H. Hickman High School.

2) If you enjoy learning on a regular basis, step right up. Students will consistently teach you more than you teach them, and you’ll never know something better than after you have taught it a few times. That’s why the GATSBY movie pained me.
3) Well-kept secret: young humans are EASIER to work with than adult humans.
4) Need a challenge? Even BEFORE you get to the actual teaching, many of the job requirements of a clerk, accountant, sociologist, psychologist, parent, sibling, Dutch uncle, cop, chess master, lifeguard, researcher, stage actor, stand-up comic, “The Beatles at Hamburg,”@ and cage-match opponent often must be satisfied. Doesn’t that sound…worthy? If not fun? If not exhilaratingly crazy?
5) You will have your commitment to humanity (their humanity and your own) tested regularly, which may sound annoying, but it will HONE you if you let it. And that feels good, though along the way you won’t always be happy.
6) You will get to know several aircraft carriers full of people, and, though in our business we don’t get to see the final product, thanks to Facebook you can monitor the product’s progress. Yes, we can and do.
7) You will have two-and-a-half unpaid “free” months in between school years to make up for the countless hours of grading you will do outside of your contract hours during the school year–though you will plan, and quite possibly teach, then, too.

8) Regarding bosses: most of the administrators I have known have been decent people and colleagues, but the bottom line is, there’s more of us than there are of them, and WAYYYYYYYYYYY more kids than there are of them, which keeps their hands about as full as yours, and with much less enjoyable matter/s. So what am I saying? You will not have someone breathing down your neck–unless you can’t cut the mustard. You will have the autonomy that, if you studied hard in college and conceptualize well every night and know and love and feel a calling for your subject matter, YOU DESERVE.
9) Regarding the above, while it is true that, paradoxically, the highest financial awards available to a public school teacher are only within your grasp if you LEAVE teaching and administrate (I think that’s a word), the highest spiritual awards are available daily, and I would argue far more frequently, when you stay in the classroom.
10) The benefits are solid. I bitched and moaned about the chunk taken out of my check for retirement back when I took a PAY CUT FROM WORKING IN A CHEESE FACTORY to start teaching, but, uh…it’s for a good cause, children.

Oh, and you get 25 minutes for lunch!

*I define “Career in Teaching” as 25+ years spent teaching in the classroom first before you do anything else. A quarter-century seems about right.

@The Beatles were to a great extent MADE by often performing up to eight sets a day/night, near-consecutively, during their Hamburg years. Someone will comment that “actually, they never played eight sets….”

Day 173: Reality check. A very dynamic student of whom I’m quite fond approached me this morning to talk about expanding the possibilities of our school radio station, which is basically just a simulated experience right now due to our low-powered signal and restricted operational time. He had excellent ideas about talk shows and more, so I invited him to the station at lunch to talk further. In an intense hour-long discussion, we envisioned experimenting with antenna placement, purchasing a stronger transmitter, designing programming specifically for the school commons and media center, experimenting with streaming live and pre-recorded content…when the subject drifted to supervision. Though I’d already thought about it in flashes, it finally hit home: “You ain’t gonna be ABLE to do this, Overeem.” Brock Boland, Jim Kome, Isaiah Cummings, I hope it sounds good to you guys. (Frequenters of the Hickman halls may have guessed that said student had to be one of two possibilitie entities; if you guessed Ashwath Kumar, you are correct).

In other out-to-pasture news, a student artist included a representation of me in her art showcase in which I appear to be in the midst of a pastoral walkabout, wishing I were Mike Ehrmantraut (that’s a compliment, Paula Herrera-Gudino). I hope that wasn’t meant to be a corpse in the background.

Day 174:

Random Observations

*I will never again have to see myself deliver a ponderous advice message via video to a senior class at a memories assembly. This time I incoherently and (of course) overly soberly advised them to re-invent themselves post-graduation.
*Battle of the Bands: How can I be a puppetmaster in 2014? I will never feel this particular nervousness again.
*Last final exam I will ever write for a literacy seminar class: I read Mark Twain’s “The War Prayer” aloud (they had a text and were asked to read along with me and mark it up), then they had to take it apart with strategic thinking.
*Fun to see a mass e-mail to the faculty listing new CD acquisitions such Kool G Rap and DJ Polo and Swamp Dogg. The MC staff forgot to edit some of the song titles….
*I read last names L-Z at Hickman’s graduation ceremony on Thursday. Doug Mirts, I clearly got the most difficult list. Such seniors with names that people always screw up, FIND ME pre-graduation!
*Had a nice Starbucks with Nicole Overeem and Korean lunch with George Frissell. I will not have to “squeeze in” those moments much longer. Though they might….
*I e-mailed the district superintendent about the possibilities of streaming Internet content (talk shows, announcements, interviews, podcasts). I got replies ON THE SAME DAY from him and a great technology leader, Chris Kraft Diggs. That’s cool.
*Monthly Sha’Quan Davis Report: yesterday, a graphic novel of Kafka’s The Metamorphosis kept him awake; today, a People magazine put him right out (he was exempt from the final for good grades, improved standardized test scores, and more).

Also: The winners of the 9th Annual Battle of the Bands, The IRA. Principally, they will be getting studio time from our benefactor, Pete Szkolka and his stellar studio. Thanks to all of the adults who played their hearts out, and thanks for those adults’ mutual support for each other. These were not children last night.

IRA

The IRA winning the 2013 Battle of the Bands

Day 175: Tonight, I read off the names of seniors L-Z at Hickman’s graduation at Mizzou Arena. I am running on five hours of sleep. I need to get home for spell, brew two cups of coffee, suck on a Cold-Eez, and start hoping I will be in the mellifluous zone. Paige Reed, I trust the troops are in correct marching order.

Day 176 (the last): When I started this tour in August, I thought my teaching career was actually ending. As it has turned out, I’ll be teaching a Brit Lit class once a day in 2013-2014 and be loosed on an unsuspecting world the rest of the time. I have plenty of ideas how to spend that.

When I started this job in September of 1984 at Parkview High School in Springfield, I was a damn corndog drunk on the Holy Trinity of the Minutemen, Husker Du, and the Replacements, in thrall to Albert Camus and Aldous Huxley and William Faulkner, half-cocked in a million different ways, and just beginning to suspect I did not know some things. I had committed myself to secular monkdom (2nd block knows that story), and only half-kidding quipped quite regularly, “I teach to finance my record collection.”

29 years, two other fine schools, one town, 3,640 students, 7,000 records, 28,000 essays (that’s not a misprint), an amazing wife, and countless influential colleagues later, I’ve found that I am just now becoming human, just now settling into the mighty blissful peace of knowing precious little and simply enjoying every sandwich, just now beginning to think about music only a third of my waking hours, just now figuring out how to get outside of myself and just serve. As my man, the late Bill Hicks, always counseled, “It’s just a ride,” but you have to know how to experience it, and, honestly, teaching young people, more than anything else, has taught me much of the secret.

They come and go in groups of 25 or so as the years spin dizzyingly by (suddenly your first students are 49 years old!), like a good crate of records each class is packed with virtues utterly unique and inspiring, and by being patient enough to work through the whole batch and keeping one’s eyes and ears open in their presence, they can convince you that we are not after all a virus on the planet–though, unlike a record, unfortunately, you do not get to keep them. It has happened to me, and, as the song goes, it could happen to you.

I am unspeakably grateful to the forces and chance occurrences that led me into this profession, to my University of Arkansas friends who gave me real self-confidence, to the peers who showed me how teaching was done and NOT to be done, to principals who trusted me to know what I was doing, to a family that wasn’t sure this was what I should be doing but didn’t kick up a fuss, to a grandmother who motivated me to teach by telling me I would hate it, to a wife who has tolerated the expenditure of emotional and mental energy this biz has required of me and who has supported, advised, encouraged, and continued to love me at every turn, and to Ornette Coleman and Bob Dylan, who have supplied me a raft of key ideas that kept me afloat and my instruction fun for me–and occasionally my kids–across four decades. Most of all, I am grateful to all my students–even the hard cases, who made their presence felt to the last day–who have taught me what it means to be human, and to love humans.

I really have to close, and I leave off with a song for those 16-to-20-year-olds who are thinking maybe they might want to teach and haven’t looked at the statistics yet…. http://www.youtube.com/watch?v=IaUctZ9jdb0

Kids

Three who helped me through the last go ’round: left to right, Michele Sun, Maya Ramachandran, and Sean Brennan, currently doing some earth-shaking.

PASSING TIME, PART 8: Playing the Hand You’re Dealt

One of the best and worst things about being a public school teacher is that, under ideal circumstances (funny phrase, that, as we shall see), your classrooms are random assortments of the American public. At this moment in time, the mere evocation of that latter entity is enough to put a shiver up even an American’s spine. I, however, enjoy—and enjoy being part of—the American public; the tendency of technology to thrust our worst moments into our collective faces 24 hours a day can sometimes make us seem monstrous to ourselves, but a pernicious selectivity is at work there. I have always loved the challenge of teaching a cross-section of 25 to 30 students at a time. How do you teach Macbeth to a group of kids ranging from the scion of one of your city’s most powerful and educationally-enriched families to a young scuffler in his third foster home whose learning experiences has been so frequently disrupted that he can barely read and write, despite considerable intelligence? I have no desire to mountain-climb, but I’ve always been attracted to finding the answer to a question like that. Why? Because it makes me feel like a committed, involved citizen who believes in the ideal of equality. I crave that feeling, and I hate processes (like tracking and segregation—the latter is still with us) that separate us from each other when we take our seats in the Church of Reason. But, sweet Jesus is it difficult to stay happy and be successful while pursuing that feeling!

I am often asked, “What’s the hardest class you’ve ever had to teach?” I’ve had some boogers, like an experimental history-language arts block class that started with 53 students and ended with 23, and featured classroom dust-ups and firearms arrests—as well as a fantastic feast of Greek cuisine after we’d survived a unit on The Odyssey and antiquity—in between. Or a 10th grade class where tracking had resulted in a population of 50% hostile white rural kids and 50% hostile black urban kids, none of whom had had much success with English. In that class was a student who’d set his sister on fire and was so dosed with anti-psychotic meds that he was barely conscious, as well as a student who, one day while we were discussing our class novel Shane (that’s right—Shane), stood up, yelled “FUCK THIS BOOK!” and threw it in my face. In that class, too, was a student who, twenty years later, is in my mental Student Hall of Fame for being a great critical thinker, a speaker of fiery honesty, and a friend who taught me twice as much as I ever did him (though I did turn him on to Cypress Hill’s debut album!).

Class from Hell honors, however, go to a class I taught in the mid-‘Oughts that, on the day I walked in to meet them for the first time, seemed quite normal. Most teachers will tell you that even the most incorrigible collections of ne’er-do-wells will lie low for the first week or so—then spring, and you best be steeled. By the time I encountered what I have since always known as “Sixth Hour”—I have taught at 25 sixth-hour classes, so that gives you an idea of the impression this one made—I had twenty years of experience and a reputation for stellar classroom control sans Stalinist tactics. In fact, I’d reached the point where I’d quit even worrying about or planning for classroom management; I’d walk in every day and do what most non-teachers think we do every day: just teach. And that was my plan as I first engaged “Sixth Hour.”

Now, this wasn’t a huge class; in fact, the classes I’ve always had the most difficulty with have been small ones. They numbered about twenty, a little over, I think. It’s fun now—and only now—to recall what I didn’t know about the students among them on Day One. There was a taciturn, ‘6 “3 white supremacist daily wrapped in a black trench coat who’d been in two “boys’ facilities” already. There were a set of terrible twins, one extremely smart, loud, and ready, willing, and able to hate my guts—but an excellent student!—the other extremely smart, loud, and ready, willing, and able to hate my guts—and an awful student! Their relationship? Close—and subversive. Joining them was their childhood best friend, who, unlike the twins, had endured a difficult raising, sported what I can only call a very raw attitude and an imaginatively filthy mouth—and would become the best pure writer of the whole bunch. There was an equally raw young lady whose uncle had committed a most heinous triple-homicide that was fresh not only in the town’s memory, but the young lady’s as well. There was a young man who would set the record for the lowest academic percentage of any student I have ever taught (11%, if you’re curious), who would happily and matter-of-factly not “do” assignments or “miss” classes, who loved to chat and didn’t mind being reprimanded, at all—and who would end up being my next-door-neighbor and landscaper. There was a young man from one of the rural communities outlying Columbia who loved George Jones, Gary Stewart (look him up), Merle Haggard, whiskey, beer, a student in one of my other classes (whom he would marry) and trucks—but wasn’t too sure about black people, and found a seat right next to my desk after sizing me up as an ally. There was a hip, artistically talented, and funny gal who would really, really enjoy drugs that year—as well as happily and matter-of-factly not doing assignments. There was one academic leader, one young woman who would make an A from start to finish, who would contribute intelligently and civilly to discussions, who would smile—believe me, that was a rare physical feat in this class if you don’t count psychopathic grins—who would do her homework, who would play well with others—and who would get pregnant second semester and go on homebound right as the dog days hit. That’s 45% of the class right there, folks. The other 55%? I would classify them as “innocent bystanders.”

After a quietly tense first three days, the twins launched their opening assault. I had put a group activity in motion, and was circulating to check their progress and, covertly, sharpen up on kids’ names. I paused to look at the “good” twin’s notes, and she jerked her head at me and snarled, “What do you want?” I remember laughing quietly and saying, in good humor, “Not much at this point.” From across the room, the bad twin hollered, “You don’t have to get smart-ass with my sister!” Her street-hewn pal, sitting next to her, stood up and added, “I don’t like you. I am going to my counselor.” A tension swept across the room, then a silence covered us liked a steamed towel, then I scanned the room and bawled, “What are you lookin’ at?” Not really (I wish!). Instead, I sternly counseled everyone to get to work, called guidance to be on the lookout for my escapee, and affected a dark grimace that, for the time being, kept most the class on task for the rest of the hour. In the back corner of the room, the white supremacist glowered.

A few weeks later, we were in the midst of a study of one of my favorite books (it’s been mentioned a few times already), Ernest Gaines’ A Lesson Before Dying. A moving examination of the Jim Crow South, personal responsibility, and the death penalty (it’s actually a little bit existentialist, too), I had purposely chosen to introduce it early in the year, as I had by then discerned that many in the class had what I call “melanin content issues.” Little did I know that this innocent masterpiece would contribute to three of the most disturbing incidents I have ever witnessed in public education, though with strain you might call them teachable moments. You be the judge.

 

Moment 1. On-line education had just begun to take hold at our school, and, after training the kids to use our Internet discussion platform, I set up a forum for them practice in. Students had already encountered aspects of Jim Crow in the novel, and I’d shared with them an article that listed and described the “devices” used to maintain separate inequality, linking it, too, on the forum. Not always the sharpest knife in the drawer, I asked them to isolate the techniques that they found most despicable. That’s a horrible prompt; I had called for little critical thinking, and (disorienting as this may sound) the request gave them no choice in how to think about Jim Crow taken whole. I know you know what I was thinking: Who’d actually write, “Well, I kind of like that separate swimming pools idea”? The hulking white supremacist, that’s who! In response to the prompt, he had actually written, “I think these laws are all pretty appropriate, except the ones that discriminate against the blind.” (Yes—Jim Crow had “solutions” for the sightless, too.) He didn’t give a damn about my prompt; he said it like it was. The big problem was, I didn’t get a chance to look at student posts until the next afternoon, 15 minutes before their class was to begin, after which time several students had already gotten a load of what the kid had written, and responded—including the girl with the murderous relative whose nerves and heart were still afflicted, who was needless to say, black. And she had unloaded on the guy.

Obviously, I couldn’t blame her at all—had I gotten on the forum quickly enough, I’d have deleted it, then set up a conference with the guy—but it had been rendered in all caps, written with such fury as to be nearly unintelligible, featured glorious obscenities, and closed with the information that she was going to kick the guy’s ass in front of class the next day. Nice! On one level, I was thinking, “Fuck yeah. It’s on! I think she can take him.” On the level of sanity, I was thinking, “I have to nip this in the bud, post-haste, and I have, oh, ten minutes to get to the classroom before they do!”

I managed to beat most of the kids to the room, and when our potential ass-kicker came in, she made a bee-line for my desk and told it to me straight: “I will kill him if he comes in here.” She was angry and crying, and somehow I was able to walk her outside and convince her to report the incident to her principal, and I’d back her up—though I quickly realized that, in my panic, lest more students see the dude’s post, I’d deleted it. There went the evidence—and I guess his right to free speech, though I am not sure even now how I would handled it had I left the post up and addressed it. I hustled back to the room, entering just as the potential ass-kickee was entering. I stopped him—not the easiest thing to do, as he had four inches and about forty solid pounds on me—and asked him why he’d chosen to post what he did.

“It’s what I think, man. I don’t like those people, honestly, and I don’t care whether they know it.”

Well, OK then. I kept level. “Uh, the problem is, this room’s and that Internet forum’s a place where learning can only happen when we address each other civilly, with some historical awareness of what certain groups have been through, and, honestly, it’d be easy for someone to call what you posted a threat against other kids in here. And that trumps free speech. You’re gonna get called to the office, so I’d get my ducks in a row.” I stopped and thought. “You know, I completely disagree with what you posted and I’m disappointed in you, but I think you’re smart enough to learn from this, and I still want to be your teacher.” He looked at me, slightly confused, nodded, and took his seat in the back of the classroom, awaiting the office pass. This was just September.

 

Moment 2, anyone? As I’ve mentioned, A Lesson before Dying deals with the death penalty. A young black man, falsely convicted of the murder of a white shopkeeper, is sentenced to death. The year is 1948. There will be no cavalry coming to save him. In order to engage the class’ minds more completely, I scheduled two guest speakers, one a vociferous and indefatigable death penalty opponent, the other a local prosecutor who had asked for death penalty sentences on numerous occasions. The activist gave an impassioned presentation, but did not employ much rhetoric—I think, from his point of view, he saw it as a trick—and was (this only makes sense as a weakness with this particular class) nice. The last kid out of the class muttered the verdict: “That guy was a damn hippie. He was kinda lame.” The prosecutor whipped out every rhetorical weapon snapped into his attaché case, made edgy jokes, made Eastwood eyes, and applied a dollop of meanness—all of which this class loved, even though his case for the death penalty was pretty weak. He was winning the class over to the necessity of the death penalty—until he revealed that he’d been the prosecutor who’d secured the death penalty for…the triple-murderer who was also Miss Ass-Kicker’s uncle! Who tended to be absent every other day but was very present on this one! And who launched a verbal assault on the area’s most well-known prosecuting attorney (and soon-to-be-judge) the likes of which he might not have had to weather before! Could I have known at that time that her uncle might have come up in conversation? Honestly, no—their shared last name was quite common, and I’d heard nothing about it from guidance counselors or juvenile officers or anyone at that point.

She soon exploded into an even more volatile level of turbo-rant, one of intermittent coherence that didn’t really challenge the idea of the death penalty but very effectively communicated that she was upset that the attorney had had anything to do with a trial in which a relative of hers was found guilty. The class was stunned, then, as was their wont, they began to turn—on him, rather than me (for a change).

The attorney tried to sneak me a “How many more minutes before class is over?” look, but the class knew that one all too well, and turned up the steam—not so much because they disagreed with his perspective, but because they could plainly see that he was a little shaken. “Bloody meat in shark-infested waters” is a metaphor that’s easy to apply in this biz, and just enough time remained in class (about five minutes) for the attorney to feel why.

 

Moment 3—and please remember: this is the same got-dang unit. First quarter was not even over yet! One of the assessments I’d devised for the Lesson Before Dying study was an essay in which students defined their idea of heroism by writing about a historical hero who represented it. As I have done often through force of habit and love for writing, I wrote a model paper for them (which I still have) about D. Boon, the ill-fated guitarist and singer of San Pedro’s ground-breaking punk band, The Minutemen. Also, as usual, I had an ulterior motive: to trick some of them into listening to The Minutemen! After I explained the assignment, everyone seemed clear on the expectations—even mildly enthused about doing the writing. By the next class period, they needed to have three “heroic” choices subject to my approval, and a little prewriting completed. Not an hour-and-half later, I was mysteriously summoned to one of the principals’ offices.

As I entered, I saw our young white supremacist slouching in one of the chairs, and the principal asked me to have a seat.

“This young man has me to understand you have assigned a paper on heroes in your English class.”

“Yup. Pretty standard, I think.”

“Mr. Overeem, he also has me to understand that you have approved his choice of subject matter, which is Eric Harris and Dylan Klebold. I take it you know who they are?”

“Say WHAT??? No, I just made the assignment today! I’m supposed to approve choices tomorrow.”

“Well, our young man was caught looking at black market gun sites as well as images from the Columbine massacre, and he told his teacher you said he would have to do that for research purposes. Is that true?”

“You have got to be kidding me. Man, you know me. Why would I have said that?”

“Well, you do operate outside the box frequently, and our policy isn’t that the student is always wrong.”

I turned to White Supremacist Man-Child. “Dude, first, tell him the truth!”

He stared flatly into the principal’s eyes and said, “Naw, he didn’t approve it, but I knew he would because he treats me fair.”

Oh, thanks! “Man, why, oh WHY do you think I would have approved Harris and Klebold? How are they heroic? Seriously?”

“That’s easy. They quit putting up with being bullied and they made the bullies pay. To me, from what I’ve seen in school, that’s something I can look up to.”

I looked at my feet. I looked at the principal. I looked at White Supremacist Man-Child. “Um, that’s a very, very simplistic account of what happened. OK, I can understand your thinking, but I wouldn’t have approved it for several reasons. One is that material is too volatile right now—even though there are a lot of ways to think about it. Another is—well, if they were the only choice available, maybe. But can’t you think of someone else where there’s more historical perspective?”

“Charles Manson?”

I rolled my eyes, ignored him, and continued. “Also, as a result of the Columbine event, any student that accesses the kind of material you accessed today is gonna land in an office. So I guess it’s your heroes’ fault we’re sitting here, and that’s another reason I wouldn’t approve it. I am all for you choosing an unorthodox or rebellious figure to write about—I guess I question your sincerity in choosing these guys. I’m starting to think you’re digging the kind of attention you’re getting.”

“You may be right,” he answered, looking straight at me.

“How do you want me to handle this,” the principal asked.

“Well, he’s gotta pick a different hero—or, better yet, since he didn’t tell the truth about my involvement, I’ll pick his hero, and as long as he completes the paper and steers clear of questionable Internet research, we’re even.”

“No referral,” the kid asked, surprised.

“No,” I said, the principal nodding as I answered. Privately, I was starting to wonder if being reasonable and understanding might end up leading to something far worse. Still, I felt I’d handled it fairly.

I assigned him an essay justifying Malcolm X as a heroic character. I couldn’t resist. Sucker made a B, too, though I can’t quite confirm that he “learned something.” I’d also like to be able to say that was the beginning of my success with him, but he was expelled shortly after turning in the paper for being found with a machete in his gym bag during a pot bust across from school. He later got his GED, had success on the college level in psych classes, and ended up a marksman in the U. S. military. Comforting, eh? I really should print out these pages and send them to Mr. Gaines, for his amusement and, perhaps, edification.

 

You’d be excused for wondering how I survived the class after such a start, and I did leave many days feeling a complete failure—something I frankly was not used to. As nuts as the beginning was, I think you can see that I did my level best to engage them, force them to think, and refuse to run away screaming. I tried everything, from seating charts to redesigning the classroom to calling parents to differentiating instruction and materials to getting tough and mean to playing soft and gentle—I tried so much that didn’t work that, before I knew it, the year was over. Even on homebound and pregnant, my lone academic leader did incredible work. Even despising me for no reason—and she did warm up to me, almost against her will—the “good” twin ended up with an A- second semester, while the “bad” twin passed the class with a C and their good buddy began to take her writing (though nothing else) seriously. I didn’t work any magic, but I did not give up on them, and I refused to pull the “counselor card” and try to get one or more of them shifted into someone else’s deck. I admit: I did leave a note on the desk of the head of guidance that read, “These three girls should never be scheduled into the same class.”

April 2013

Day 139: Coming out of spring break, a teacher often expects torpor. Not so with 1st AND 2nd block today, many of whose minions jumped right into our poetry unit with BOTH feet and produced excellent drafts that sounded even better read aloud. Topics: being stuck inside the bottle, the resilience of trees, and the importance of simply enjoying life. Also, a fond farewell to Mr. Joe Lindsay, one of the coolest students I’ve ever taught, whose surgery will take him out of the rest of the school year, but who can get his hooks into an “A” by reading and reporting on three books by May 21. Joe, you will be missed, buddy!

Day 140: A sad salute to a former student, loyal friend, terrific cook, total crack-up, indefatigable poet, and hardcore ’80s R&B nut who just shuffled off this mortal coil. He was a one of a kind Kewpie (from a one of a kind 1990 “Exploring English” class of 32 that damn near killed me with its personality) the likes of whom we shall not see again. RIP, Cleveland Adams.

Me and Cleve

The author and Cleveland Adams, a poet and gentleman.

Day 141: Thank you, Justin Parker, for letting me use your gloriously goofy school picture to illustrate the poem I wrote today for my lit sem classes, whom I am forcing to write poetry this unit. Title: “School Pictures,” about how much a school picture can reveal.

Day 142: Here’s to some of my favorite Kewpies who are the often-invisible reason why things usually go so swimmingly at Hickman: Vicki Palmer, Alexander Dante Epperson, Sam Kriegel, Jim Kome (OK, he’s very visible, but his stealth moves are often the most crucial), and Paige Reed (I said “invisible,” not necessarily “quiet”).

Day 143:

Scene–Science Olympiad mini-meeting to calibrate prior to state competition.

Issue—when to arrive for registration.

Argument–6:45 a.m., “early bird gets the worm,” instead of 7:00 a.m. as proposed.

Ryan Eiffert ‘s rebuttal: “Actually, it is the later birds that get the most worms, stay the warmest at night, and…survive.”

The mind of a scientist…always awake.

Ryan Wood

Ryan Wood, scientist, is not mentally awake.

Day 144: Two chapters into The Picture of Dorian Gray, I gave students a quiz that required them to intellectually engage with two of 18 selected quotes from that section. Those who’ve read it know that the book’s plot can seem simply an excuse for Wilde to float out aesthetic aphorisms. Reading some of their responses as I fetched their quizzes, I was delighted by the wit and good sense (the latter of which Wilde might not have admired, but would have had to respect) in their responses. In an unrelated note, I began to fully realize how hard Michele Sun will be to replace as the ACTUAL coach of our Science Olympiad team (so much done selflessly behind the scenes), and was overjoyed to hear about Emily Thornton’s bounteous NYC college visit.

Day 145: So many of my excellent colleagues have been asking me, “Are you counting them down?” I am happy that this daily Facebook experiment has provided me an automatic retort: “Nope, I am counting them UP.” It suits my disposition better, anyhow. Also, I received notice from the district today that I have to fill out a form for my successor that explains my monthly duties over a 12-month span–I treated the form like a 1040EZ, ’cause no way can I (or, frankly, WILL I) be able to get all that down on a district form–but Tranna Keely Foley suggested I just tell the corresponding district officials to “friend” me….

Day 146: I was out of school today to take care of some family business, but, like any other teacher who misses school for whatever reason–even high fever–I found time to grade some stuff and finish a book about education. We have a tendency to redefine “sick.”

Day 147: Just have to holler a big shout out to my student Tia Vega, who a) was so inspired by the slam poet Nova Venerable (from the Louder Than a Bomb documentary) that she wrote a killer poem emulating her; and b) provided killer responses during our discussion of Wislawa Szymborska  ‘s “Photograph from September 11 (see below). This week, we’re writing poems about “Moments,” and Tia was brave enough to be enthusiastic, which is not common or easy at the ol’ high school (“high cool”) level.

Day 148: I am going to miss the lively debates that spring up at school like mushrooms on a lawn. Today, Jim Kome, Tranna Keely Foley, and Jane Jouret and I considered the state of public schools; I started it by continuing my passionate attempt to sell everyone within educational earshot on Sarah Carr’s HOPE AGAINST HOPE. I will spare you the details, but teaching at Hickman for 17 of the last 24 years has definitely made me a better person (as opposed to “crushed my soul”), and it’s conversations like these that reaffirm your commitment to certain instruments of democracy.

Day 149: Here’s to the simple pleasures–like hanging out during supervision time and talking to Brock Boland about late-period Prince, and to Sean McCumber about the upcoming NBA Playoffs. Sorry, it’s not always about lit and literacy…thank the stars!

Days 150-151: Advice from an old hand–when balancing school and family, always lean toward your family (it’s not as simple as it sounds, and it’s why I skipped a night). And if you’re craving something more entertaining, today I licked 115 invitation envelopes shut, handed them to our powerful administrative assistant for mailing, and heard her say this: “We have a machine that does the licking.”

Day, 152: Definitely wayyyyy up there on “Coolest Student of the Year” ballot is the kid who a) got awesome results from an important nursing test today (he passed); b) continues to revise and re-revise an essay he’s calling a poem (and I understand why); and c) gave Nicole Overeem a rosary to give to her ailing mother and, looking into her eyes, said, “Never give up hope.” Not quite so high, but pretty damned high, was the former student who, before I recognized him, walked up to me as I was leaving my mother-in-law’s hospital-breakout dinner at The Ouchback– glowering, imposing, seeming about to kick my ass–then hugged me and said, “Hey Mr. Overeem, come meet my wife!” Marquis Lewis, since you were in sixth grade, you have always kept me on my toes.

Day 153: America’s worst nightmare–80+ public school high school kids mingling together in a dark room on a Friday…and hailing from the notorious David H. Hickman High School – Home of the Kewpies, no less! Make sure you bolt those doors! Just jokin’, y’all. THESE kids were primed and focused and perceptive, the dark room was Ragtag Cinema, the subject matter was the documentary Bully, I saw nary a cellphone out during my last-ever field trip (sniffle?), and the discussion afterward should have been filmed it was so spot-on (way to go, Dorothy Owens!). Thanks to HHS Success Center and Lit Seminar kids for making Nicole Overeem, Hannah Wren, Jerome Sally, and I proud to take you out, and making my field-trip swan song awesome.

Day 154: Educational bucket list item checked off–taught a decent mini-unit on The Clash. First class, I was a little too excited to be fully coherent; second class, I got it down. Both groups of kids seemed interested and had insightful things to say (especially Brandon Kellogg, Marielle Carlos, Mary Clare Agnew, and Sean Brennan), and I actually felt chicken skin rise on my arms while playing, then discussing, “Clampdown” and “Death or Glory” (what lyrics–perfect four outgoing high school seniors!). Also, I was proud to tell ’em that I might be the only Kewpie teacher to have seen them (twice), and certainly the only one to meet Joe Strummer (while he was in The Clash)–and could report that they were decent to fans while also expecting what they demanded of one in their best songs.

Day 155: Socratic seminars today on Ch.8-14 of The Picture of Dorian Gray. One ultra-sharp from a group perspective (2nd block), one messy but full of neat theories (3rd block). Big ups to Caitlin Tuttle for connecting Dorian to Jay Gatsby; it’s not a perfect parallel, but it’s a fascinating study in contrast for two self-invented invented humans–and it says a bit about England vs. America turn-o’-the century. Also, thanks to Sean Brennan for suggesting a T/F Film Fest Youth Brigade/Bio Club team-up on The Island President after school today, and Hickman High School for supporting the Super Kewp Ceremony. All former Super Kewps in the FB house say, “Owwwwwwwwwwwww!”

Day 156: When I hear someone refer to a modern workplace as a “family,” I tend to theoretically reach for my revolver (the requisite warmth and interconnectedness for such a state is difficult for most actual families to achieve). However, I have been forced to eat theoretical crow by the amazing support the staff and students at Hickman have offered my mother-in-law Lynda Jo Evers and her daughter Nicole Overeem. I would like to extend special gratitude to Dr. Pam Close and her science-niks for making it way easier to graze on the go. As purt-near always, I am proud to be a Kewpie.

Day 157: If you’ve never endured me as a teacher, today’s performance is about as “normal” as I can think of:

1) Explained my James Booker shirt by playing the Bayou Marajah: The Tragic Genius of James Booker trailer.
2) Tried to sell George MacDonald Fraser’s FLASHMAN series to summer readers by using a persuasive e-mail I had just feverishly sent to my colleagues Dixie Grupe and Greg Butz.
3) Apologized for doing the latter two things.
4) Screened last half of A&E Oscar Wilde doc and discussed what the script writer meant by saying Wilde was “crucified.”
5) Entertained a battery of great questions by one student.
6) Forced students to listen to the late, great George Jones while they were completing a debriefing on yesterday’s Socratic, and imploring them to pay attention to his treatment of vowels and his swoops into baritone. (Song: “Things Have Gone to Pieces”).
7) Pointed into the air at certain Jones vocal moments even though no one was paying attention to me.
8) Asked students to hold their assignments aloft when they were finished so I could come fetch them.
9) Begged them again to check out Fraser and Jones.

This would never pass muster with Michelle Rhee….or Madeline Hunter, for that matter.

Phil George

The author and the Possum (sorry, Nancy)

Day 158: Poetry slam day in Lit Seminar. I did not vote with the masses in giving top honors to Justin McCollum, who wrote about how three maligned creatures have things to teach us: the snake (always moving forward…even being limbless), the shark (never stopping), and the vulture (always exercising patience). Bravo, dude.

Day 159: Today, once again, I am sitting on the “Faculty Selected Scholarships” selection committee, one of my favorite Hickman experiences, mainly because I get to see the range and depth of excellence of “The Cream of the Kewps,” represented not just by data, but also the impassioned testimony of my peers. Tranna Keely Foley, you don’t mind me Tweeting the results, do you? (Psych!)

PASSING TIME, PART 7: Extracurricular Fun, Part 3–Folk-Funk Visits the Hickman High School Little Theater

 

bobby-rush-and-us 

Sometimes great things fall into your lap, and you have to be ready for them.

In 2009, my wife and I had just returned from a trip to Memphis, and on the way down and back, we’d listened to a heap of Bobby Rush tracks. Bobby, a native of Homer, Louisiana, is the inventor of what he calls “folk funk”: music too funky for blues, too bluesy for funk, and designed for very down-to-earth people. He has also been incredibly durable. One could argue that not only his recordings but also his performances are more vital now than they were thirty years ago; currently in his eighties as of this writing, he shows no signs of slowing down. We’d barely unpacked when my phone rang. The caller was an associate of the Missouri Arts Council, and she’d gotten my name from an acquaintance who’d mentioned that I’d arranged rock and roll concerts at my high school.

“Would Hickman be interested in hosting a blues artist for a concert next month?”

That would seem to be a no-brainer, but as fans of the graphic novel and film Ghost World know, the wrong band or artist can give an audience the blues rather than relieve it of them. I wasn’t going to be held accountable for a Blueshammer-styled band, nor, I must be honest, a painfully sincere “bloozeman” of any stripe. Thus, I had to put on the brakes.

“Well, it depends upon whom. When we do these things, we like to do ‘em up all the way, and I’d hate to, you know, do up something anti-climactic.”

“Have you heard of Bobby Rush?”

I didn’t know whether to shit twice or die.

“Can you hear me ok?”

“Yeah, sorry, I was just a little overcome there. Hell, yes, we’ll do it! Give me the details!” Usually, I asked for the details before agreeing, but, in this case, I would have been a fool.

“Well,” she said, “It’s free of charge to you and the audience; a grant’s paid for it. Bobby’s got his own band and gear—you’d just need to provide a basic PA and monitors. And we’d like to schedule it for the evening so kids could bring their families if they wanted to. I tried to pitch this to Jefferson City Public Schools, but they wanted nothing to do with it.”

“You snooze, you lose. And this will be a huge loss for them. We’re A-OK on the equipment. And evening is great. But, regarding the kids and their families—is Bobby bringing the girls?”

I am sure this is a question anyone trying to book Rush is going to get asked. Bobby frequently performs with three triple-mega-bootylicious dancers to whom he often makes leering but strangely warm and charming reference throughout his shows, and a) I seriously hoped he was travelling with them, but b) I wasn’t sure the snug stage had room for them, and c) I was not sure a transition from high school performance stage to chitlin’ circuit showcase would be altogether without bumps (take that as you will).

She chuckled. “Oh no, he doesn’t have the girls on this leg.” I breathed a sigh of disappointed relief, as well as applied a mental Bobby Rush-like chuckle of lechery to her phrasing.

 

The next day, the kids of the Academy of Rock, our music appreciation club, and I revved into PR gear. We made and posted flyers, we networked the hallways and school nooks and crannies, and we set up visits to the American history classes, where we planned to show a brief “teaser” segment on Rush from Richard Pearce’s “The Road to Memphis,” an installment of Martin Scorsese’s The Blues series. Because I have been a serious nut about music since I heard “Then Came You” float out of a swimming pool jukebox, I have always been careful to find a solid justification for connecting any school use of it to curriculum—probably too careful, but I am like a Pentecostal preacher when I get going, and may the Devil take the curriculum. In this case, the justification too had fallen into my lap: it happened to be Black History Month, and, as dubious as I consider the concept (I prefer Black History Year), I was happy to exploit it. I was also happy that, in my long experience at Hickman, I’d seldom seen a major event staged that directly and intentionally appealed to our 25% black population. Not that I could take credit for anything but saying “yes” to the proposal; in fact, that could accurately serve as my epitaph: “He said ‘Yes’ to life.”

We also got word out to the local press—who were underwhelmed as usual, for the most part—and the Columbia music community, which resulted in my fellow music maniac Kevin Walsh and his young pal Chase Thompson showing up to make a film—as yet unreleased, but I have a dub—of Rush’s appearance.

The day of the show seemed to arrive in an instant. We promptly set up the stage and PA—but, for some reason, the monitors, not exactly top of the gear list in complexity of use, were malfunctioning. We tried everything we knew (admittedly, not much), to no avail. At least we had a computer properly jacked into the PA to record the show, which Bobby’d happily agreed to let us do. Still—one of the few things we’d been asked for we couldn’t deliver. I was also nervous about the turnout, as we had no way of knowing how many folks would arrive, since admission was free.

Bobby and his band (also known as the crew—they hauled and set up their own equipment, which is no unremarkable habit, especially for road vets) arrived right on schedule, and, after finding him and introducing myself and my wife Nicole, I cut right to the chase: “Bobby, our monitors are screwed. That’s about all you wanted, and we messed it up.”

“Phil, Bobby Rush got this! You OK! Been on the road for sixty years and ain’t nothin’ like that ever stopped us! You all just sit back and relax and let Bobby Rush take care of business.”

I couldn’t argue with that. Would you have?

We did as we were told and took a seat. The space was an old-style “Little Theater,” capacity 150, with nice track lighting, comfortable seating, and just enough stage for a five-piece band (Bobby had seven). I am assuming it was originally built for student theatrical performances, but, in the ‘Oughts, it was just as frequently a concert venue. As I write, I feel a pang of sadness in not being there to continue using it.

Bobby and his band genially integrated our small crew of students into their own set-up and soundcheck—they’d also quickly jerry-rigged the monitors and had them working—and were thrilled to find that we planned to have one of the kids run sound for the show. This had been our philosophy since the club was formed in 2004: move over and let some students do the popcorn! An element of risk always threatened proceedings as a result, but that’s life, learning happened, and it’s more fun riding on The Wall of Death, anyway.

I had been in a bit of a nervous trance when I suddenly broke it, looked around, and noticed that the house was almost packed. Not only that, but the concertgoers were predominantly black—with a considerable number of parents and grandparents among them. As is my wont, I quickly twisted my joy into worry as I began to recall certain bawdy Rush routines that might be revisited that very eve.

bobby 2

Photo by the great Notley Hawkins!

I needn’t have worried. Bobby Rush had this. 75 at the time, he must have set the record for pelvic thrusts in one show. The crowd went wild. He told raunchy stories, including one featuring his minister father. The crowd hollered. He plum-picked his sly repertoire: “Uncle Esau,” “I Ain’t Studdin’ Ya,” “I Got Three Problems,” “Henpecked” (“I ain’t henpecked!/I just been pecked by the right hen!”), “Night Fishin’,” “Evil,” “What’s Good for the Goose.” The crowd exploded. He produced a pair of size-75 women’s undies to demonstrate his taste in derrieres. The crowd went bonkers, and the grandmas stood up and shouted amen. He accused our sound man of being a virgin. The crowd—and our soundman—went nuts. He talked about visiting Iraq, about his prison ministry, about struggling up out of the Great Migration to Chicago, about being on damn near every black music scene for fifty years—and about coming through it all to vote for a black president who actually got elected. And the crowd hung, hushed, on his every word, as he delivered a brilliant, deeply personal history lesson we hadn’t even asked for. Even the jerry-rigged sound in that little room was hot as fire and deep as a well, with Rush playing harp like he was possessed by the ghost of Sonny Boy Williamson and snatching a guitar away from a band member to play some razor-sharp solo slide. As I continued to nervously scan what had become a congregation, I was thrilled to notice that the older the person was whom I spied, the wider his (or most definitely her) grin was. The students? They had clearly never seen anything like Bobby Rush before. Our soundman was so mesmerized he forgot to check the recording levels, so our aural document of the show is way into the red.

bobby-autographs

Photo by the great Notley Hawkins!

I know it’s a cliché, but it was, for damn sure, a religious experience. The audience, I think, was more drained than Bobby at show’s end, but not too drained to be shaking their heads in wonderment and giggling with glee. Several of those older folks swung by to tell me, “More of this, please!” The principal who’d drawn event supervision—lucky man!—asked me, “How in hell did this happen, and when’s the next one, ‘cause I’m calling dibs?” Of course, I’d liked to have met those demands with serious supply—but witnessing a bona fide, down and dirty, authentic-but-for-the-booze-smoke-and-BBQ chitlin’ circuit show at a Bible Belt high school, I’m afraid, is a once in a lifetime experience. God, I do love grants and art councils.

Nicole and I walked Bobby out into the February night, his arms around both of our shoulders. His eyes and jeri curls were shining, but he hadn’t seemed to have broken a sweat. “I want to thank you all for having us,” he offered, humbly. “I don’t know who had more fun, us or them!”

I quickly replied, “No, man, thank you! That show was so good you’d think you were playing for the president! And we’re just a high school in Missouri!”

He shook his head, smiling.

“I told you, Phil…Bobby Rush got this!”

March 2013

Youth Brigade

The True/False Academy and Boot Camp on the streets during T/F 2013

Day 124: Brit Lit–students applied some of Alexander Pope’s precepts from Essay on Criticism to Evita!, basketball coaching, and some Assassin video game; Lit Seminar–read aloud the very lyrical ending to A Lesson Before Dying and discussed its implications and subtleties (then closed shop 15 minutes early to dissect The Walking Dead).

Day 125: I have been fortunate during my second tenure at Hickman to have had several schemes funded by the Assistance League of Mid-Missouri (my heroes), Columbia Mo National Education Association (not too shabby, either) and the school PTSA (always at the ready). We have been able to build a library of former True/False Film Fest films, create a StoryCorps DIY media kit, and compile a collection of CDs 500+ strong, featuring music ranging all the way back to 1895. Occasionally, young Kewpies come through that are so passionate about music, I can’t help but include them in choosing new items, and today’s highlight was realizing that, beyond probably having the best music library of any school media center in America already, a couple of kids and I will be “inducting” some names several of my fellow Facebook fanatics will happily recognize: The Mummies, Hasil Adkins, Swamp Dogg, The Memphis Jug Band, The Sonics, and many more.

Day 126: My fourth block literacy class and I were watching the film version of A Lesson Before Dying, which we just finished reading aloud together, when Alvin Youngblood Hart’s version of The Mississippi Sheiks’ “Livin’ in a Strain” (see Record Rec of the Day, below) rolled out from the soundtrack across a great scene. I was completely unprepared for it–I hadn’t seen the film before (have read the book at least ten times)–so I was flat-out floored, since, well, he’s PLAYING AT The Blue Note tonight. I think I even talked a kid into going! I know, coincidence, but I just started a Christopher Hitchens book yesterday that opened with a quote from Middlemarch, which I just finished. Stay rational, dude.

Day 127: Welcomed Mr. Josh Chittum and the forces of the “We Always Swing” Jazz Series to the commons of Hickman High School once again to give away free tickets to next Thursday’s Missouri Theatre Center for the Arts performance by the Locke-Keezer group. Thanks to Patrick, Spenser, and Marielle for assisting to Mr. Chittum. Any Hickman student who wants a ticket but didn’t get one, come see me tomorrow in the media center Periods 1-3. As I have said before, the beneficence of the arts community in Columbia toward its youth is unparalleled in my experience, but I must say that the youth need to RECOGNIZE this kind of them doesn’t happen everywhere–even in some big cities. The event is FREE to all public school students in town, folks–and even those OUT of town. Beat that.

Day 128: In fourth block, where many unexpected cool things happen, we met today for the first time after having finished A Lesson Before Dying. One of my students walked in, quietly said, “I got this for you. You can put it on,” and handed this to me. We have had balanced discussions of this issue, I assure you, but, sorry, I put it on. If you’ve read the book, you know why.

Day 129: Had the privilege of listening to the “final draft” of a rap song w/excellent Star Wars references which I’d heard grow through several versions. Ziggy Vann Lyfe, Collin Deters, Ross Menefee, and Israel Santana–I’m danged proud of you. You built that!

Day 130: Presentations–time for Ol’ Teach to kick back and watch other folks’ dog & pony shows for awhile. Today’s featured poets: The Brontes, Dylan Thomas, Percy Shelley, Gerard Manley Hopkins, John Keats, and Robert Graves. Unfortunately, the presentations finished early each hour, so it was time for the Great Spinning Wheel of Overeem Anecdotes (students “spin” for the topic, I match a story to the topic). Block Two got “Did you ever have senioritis,” which produced the tale of the only “F” I ever made on a test (pretty deliberately, as cruising the strip in Carthage seemed more fun at the time than reading three chapters), as well as the query of whether a “C” in Ethnic History in 1980 made me a racist. Block Three got “inappropriate occurrences I have had to deal with,” which produced the story of how I ended up at Hickman in 1990 (the inappropriate occurrence, alas, was not produced by my actions, but a principal’s, which helped convinced me to get the eff out of Dodge).

Day 131: Today, I administered the DRESS test to several of my reading kids. On the first part of the test, they have to read aloud a passage from a text at the level they appear ready for, while I mark up my copy of the text with observations about their tendencies. Two students, moving up a text level for this one, had clean reads–no errors–and moved at over 110 words a minute. That is cool…the payoff for taking reading seriously.

Day 132: I am very much in love with Ali Smith’s new book of literary criticism couched in fiction, Artful, which I just started reading. When I read this passage this morning, beginning as it does with a gloss on Heraclitus, I knew I had to share it with students (actually, this is the end of a longer sublime passage): “You can’t step into the same story twice—-or maybe it’s the stories, books, art can’t step into the same person twice, maybe it’s that they allow for our mutability, are ready for us at all times, and maybe it’s this adaptability, regardless of time, that makes them art, because real art (as opposed to transient art, which is real, too, just for less time) will hold us at all our different ages like it held all the people before us and will hold all the people after us, in an elasticity and with a generosity that allow for all our comings and goings. Because come then go we will, and in that order.”

Day 133: In the biz since ’84, I have never loaned a student my belt (though I have threatened a few with lashes from it). Check that one off of the “have never” list. D’Angelo, I hope it had enough holes to cinch up tight around your scrawny waist! Proud to be of service–now if I can just keep my own drawers from sagging, because I am wearing Christmas candy cane boxers!

Day 134: The True/False Film Fest has done a great amount of good for Hickman High School students. I recently sent out a mailer to the most recent students for whom that good has been done, urging a show of gratitude. My deep admiration to the student (who would be embarrassed to be tagged here) who suggested she MAKE something rather than us BUY something for our benefactors. That made made day, and it was pretty danged good one to begin with.

Filmmaking

Filmmaking begins in the basement at CAT TV

Day 135: Reading 16 pages of dense text out loud–with full interpretive effort and interspersed discussion and “strategic reading urgings”–is not just mentally exhausting. It is physically exhausting. I LOVE to read aloud, but I have carried a headache all day from two 16-page reps. Plus, this book (A Rip in Heaven–still!!!) seems to grow 10 pages longer for every 10 pages I read, and by the end of Thursday I will have read all 301 pages to two classes. No, I don’t want a medal. I guess I am going to really miss reading aloud to a class, but it ain’t no picnic.

Death Penalty

Day 136: Remember me complaining about A Rip in Heaven yesterday? Well, today I was teaching away in Brit Lit when one of my Lit Seminar kids appeared in my door, vociferously motioning me to step out in the hall. I put my class on hold, stepped out, and was met with, “No offense, but A CURSE ON YOU AND A CURSE ON YOUR BOOK!” I’m like “Wha?” and he’s all “I can’t stop researching the death penalty!!!!” I said, “So is this for a class?” He says, “No, I am making a powerpoint for MYSELF! Like I said, A CURSE YOU AND A CURSE YOUR BOOK!” He whirled–grinning–and went on his way. Never sell a book short. Note: Sometimes I worry that these reports from the front sound self-congratulatory, but, believe me, stuff like this happens to ALL OF US–every single day. If it sounds like fun, TRY IT!

Day 137: A reporter from VOX conducted a near-two-hour interview with the radio station kidz today. If it comes out in print as intelligent, interesting, and funny as it did in person, you will want to read it. However, I feel kind of hurt that Patrick D King has never used social networking to tell me how to live! Also, Happy 21st Anniversary, Nicole.

Just Kids

Sometime before the FIRST anniversary….

Day 138: Ahhhhh, spring break. Under the circumstances, the students were excellent today–a great poetry presentation on Gerard Manley Hopkins (thanks, Steve Gieseke), a fun discussion/story of one’s life-progress through religion, a final DRESS test administered, and that many-times-aforementioned fourth block Lit Seminar class reading quietly and with intent focus while hallway chaos was being sowed all around them. And, hey: my bracket’s in first place after 1/2 a round, and there’s room tomorrow at the Hotel Frederick! A restful, fun, enriching spring break to all you teachers and students out there. Also, thank you, HHS PTSA and CMNEA, for funding our ongoing project to make the historical bounty of American (and influential NON-American) music accessible to students and staff. Pictured are SOME of the CDs we were able to purchase this month with grant money from the aforementioned entities (couldn’t fit some into the picture; others are still on their way). View the existing collection at the following link (I haven’t written blurbs for the newbies); thanks also to Spenser Rook and Marielle Carlos for helping this old fart make fully relevant choices outside his taste-range, which isn’t exactly narrow, and agreeing to help with the blurbs. We are considering setting a rule where we have to write blurbs for CDs we DIDN’T choose, which is my idea of fun.

Expository Listening, Expository Thinking: A Writing Lesson that REALLY Worked!

Today at Stephens College, where I teach freshman comp with a pop music focus, I executed one of those rare lessons that works on every level you hope it will. Feel free to steal and/or adapt it!

My students’ next essay assignment is to focus in on a music-related topic they’re interested in, then choose the appropriate expository mode for exploring it. On Tuesday, we reviewed some of the expository modes I’m encouraging them to try (comparison/contrast, problem-solution, description, definition, cause-effect, classification), but I sensed some anxiety and disconnect. As of last night, partially due to being hella busy this week, I still didn’t have a solution for that condition, so I just slept on it, then woke up with this (funny how that happens to teachers):

In class, we are going to listen to (and watch) four excellent singers–Billie Holiday, Anita O’ Day, Jamilia Woods, and Dolly Parton–in action.

As you listen and watch, you are going to think about the following expository modes of analysis and writing, and jot down corresponding observations you make in your notebook or on your device:

Description (external) – What does the singer sound like and how does she present herself?

Definition (internal) – Who or what does the singer seem to be?

Classification – How would you classify the singer, according to official and unofficial terms of classification?

Cause –> Effect – In listening closely to the singer, what effects do you feel as a result of her performance? What specific aspects of the performance cause those effects?

Comparison/Contrast – How are these singers similar? How do they differ?

By Sunday night, transfer your findings in coherent, expanded, and more specific form to the associated discussion board, and be prepared to respond meaningfully to one fellow students’ post.

We began with the above clip from “The Sound of Jazz”–the famous last hot flame from the doomed Billie Holiday. I prompted them by reviewing the above modes, then played the track for them. Afterwards, just for modelling’s sake, I asked students to share some of their observations:

Description: “soulful,” “relaxed,” “rhythmic.”

Definition: “A woman who knows pain.” “She has experienced a lot.” “She is a singer who connects with her band and the audience.”

Classification: “Blues singer.” “No! Jazz singer!”

Cause–>Effect: “She was glowing!” –> It mesmerized me.” “She was getting in tune, effortlessly…”–> “It left me in awe.”

I could not have responded more accurately myself. From the evidence, my idea seemed to be working. I’ll know for sure when I see the discussion board posts and the essay rough drafts.

The other tracks I played them (I need little reason to show the first to every class I teach, regardless of subject)?

Jamila Woods’ scintillating and brand-new Tiny Desk concert, which I can’t figure out how to embed.

February 2013

Day 108: One for the books! Old Hickman pal Mike Burden and colleague Brett Kirkpatrick brought Jamaican-born, Africa-tested, and NYU-schooled Alrick Brown to the Little Theater for one of the most entertaining, interesting, and inspiring talks about filmmaking I’ve been present for (Columbia folks, best go see his Kinyarwanda at MU tomorrow at 1). Frequent Tour reference George Frissell again proved his commitment to selflessness by allowing me to redeem myself for a scheduling error and agreeing to a one-day partnership with HHS Science Olympiad (but they all say that with Frissell, payback is a bitch). My third block class did a great job getting their personal essays started, especially Stephanie Lamoreaux, who’s writing what will prove to be an entertaining and useful “How-To” paper that John Keats would appreciate. Fourth block learned not to sell me short on rap knowledge and paid rapt attention to a 50-minute reading from A Lesson Before Dying. I met retired legend Henry Landry for coffee and received a one-of-a-kind memento from his recent trip to NOLA that connected to another kind of professor. And I got to eat at Tony’s Pizza Palace with Nicole Overeem and her interview subject and stellar student Mr. James Allen. Note to Doug Gordon: your dongle is safe in the hands of the Hickman High School Library Media Center.

Day 109: I had waited all weekend to share A Rip In Heaven author Jeanine Cummins’ responses to my first and second block literacy seminar’s (excellent) questions with the kids. Ms. Cummins, closing out preparations for the release of her new book, had generously taken the time to e-mail us answers after I sent her a message on Goodreads. I even made copies of their questions and her answers, just so everyone could read along. First comment–before we had even begun reading together–delivered with a prosecutorial edge by a sophomore: “How do we know these are REAL????” And they say today’s kids aren’t critical thinkers…

Day 110: Today, to practice looking at stylistic and thematic commonalities between a poet’s poems, we looked at some selected songs by Ray Davies of The Kinks. I know it’s due to the film Juno, but it warmed the cockles of my heart to hear most of the class singing along to “A Well-Respected Man.” And it produced a devilish grin on my grill when many who had always sung along to the chorus of “Lola” got to close-read its lyrics. Commonalities we discussed: irony, class alienation, ambiguity, satire and sarcasm, the hollowness of mere “respectability,” slant rhyme, dissonance (in the playing, and in the rubbing between the brightness of the music against the darkness of the subject matter), and artistic intent. I learned a TON.

Day 111: It has been a slow day–too many music references lately to convey my joy in Ross Menefee having his curiosity piqued in the radio station by Ornette Coleman’s “Lonely Woman,” and not much eloquence I can add to Zane El-Shoubasi impassioned sales job for the original British Shameless (I WILL watch it!)–so, when all else fails, a list.

The Top 15 Most Successful Materials I Have Ever Used as a Teacher

1) To Kill a Mockingbird, by Harper Lee.

2) “The Scarlet Ibis,” by James Hurst.

3) The Monsters are Due on Maple Street (“Twilight Zone” screenplay by Rod Serling).

4) The Bluest Eye, by Toni Morrison.

5) Cool Hand Luke, directed by Stuart Rosenberg, written by Donn Pearce.

6) Winter’s Bone, by Daniel Woodrell.

7) “Ozymandias,” by Percy Bysshe Shelley.

8) “Me and Jesus the Pimp in a ’79 Granada Last Night,” by The Coup

9) Selected lyrics by Chuck Berry.

10) Selected lyrics by Ray Davies.

11) “The Flea,” by John Donne.

12) Macbeth, by William Shakespeare.

13) Red Sky at Morning, by Richard Bradford.

14) The Great Gatsby, F. Scott Fitzgerald.

15) The Iliad and The Odyssey, Homer (6th-7th grade editions).

Day 112: Another slow day, another list–the 11 teachers I owe the most to (for being models, for being supportive and encouraging, for thinking I had potential, for opening my mind, for training me to think and see, etc. eternal etc.)….

1) Howard South, my high school art teacher.

2) Mrs. Phipps, my ninth grade English teacher who taught me discipline without disciplining me.

3) Mr. (now Dr., I think) Soos, my freshman comp teacher, who was so good he made me want to do this.

4) Dr. W. D. Blackmon, who taught me science fiction at SMSU and gave me the best reading list I’ve ever received.

5) Bob Bilyeu, whom I taught with at Parkview and who taught me the concept of benign negligence, which it took me years to successfully utilize and fully appreciate.

6) Charlie Smith, whom I also taught with at Parkview and who taught me “the ropes,” more or less.

7) Karen Downey, my longtime teaching partner at Hickman and Smithton, who taught me how little I knew, then filled in most of the gaps.

8) George Frissell, my longtime colleague at Hickman (OK, moratoriam on Frissell references starts now!), the most highly-evolved human I know. (And one of the funniest.)

9) The Steitz Team (John and Jo), for showing how you do the husband-wife teaching (and kid-raisin’) thing at its most passionate level.

10) Nicole Overeem, who daily reminds me how to (and how much to) care about students.

11) My mom and dad, for basically applying benign negligence and letting me explore and learn about what I was interested in.

12) The Grupe Team (Dixie and Greg), for setting an incredible bar on a daily basis.

13) Mike Pulley, who helped me get my legs, kept me laughing through huge class sizes and grading loads, and dared to have me teach his son (first teacher’s kid I ever instructed).

14) Mike Jeffers and Tracey Conrad, who encouraged me to be a teacher leader.

15) Rod Kelly, for talking me into coaching track and basketball, which I loved. My sincere and eternal gratitude.

Day 113: I stepped out in the hall with one of my modern Brandos to wish him luck in taking the Missouri Options qualifying test. Being careful to look him directly in the eye so he knew I was serious, I assured him I’d send as much luck as I could his way. As I extended my hand to seal the bond, I suddenly noticed both of his had been buried in the front of his pants (it is, alas, a “style”), and when he extended one I…blanched a shade and recoiled a touch. Kid: “Don’t worry–they were on the outside of my boxers.” Whew. That was not quite relief enough to prevent me converting my handshake into a brief bow.

Day 114: A respectful bow in the direction of Miss Abbie Jones, who wrote a great personal essay about sometimes feeling that she just needs books to be happy (I have dedicated a song to her in the link at bottom), and Miss Hillary Henry, who helped me figure out the best possible plan for my substitute Wednesday. We had an assessment scheduled, but it’s a shade too complicated for a substitute to execute, so they will be watching a film for their “Brit Lit Film Festival” assignment: Dr. Strangelove. Poor kids.

Day 115: Got to hear a potential new band–guitar player and singer–take The Sonics’ “The Witch” for a test drive. Lead singer is a young woman who loves the material–very interesting to hear her deliver that song. I will keep you posted, but Mark Anthony, Kenny Wright, Bryan Stuart, and Nicole Overeem, you would have wanted to have been there.

Day 116: You make some great friends in this business, friends that sometimes turn into family. Thank you, John and Jo Steitz, for great support, and great timing, and big hearts. Also, it has been a difficult week already at Hickman, and we’ve lost a retired colleague in the middle of it. Here’s to Kathy Davis, and I am speaking for many Kewpies who knew her: She was a valued colleague who cared deeply about her fellow Kewpies, and was not afraid to speak the truth. She had a great sense of humor, was our student radio station’s biggest fan, and could call a snow day (complete with number of inches of snowfall and number of days we’d be out) with pinpoint accuracy. She was also very selfless when it came to fixing damned machines (and people) and running off massive packets. We have felt her absence since she retired, and we feel it even more now. P. S. Kathy, if you are somewhere able to read this, I am sorry I screamed the cuss word that one time when I thought no one was in the workroom.

Day 117: At our final Science Olympiad meeting before regionals Saturday (we are defending champs), I learned from a Mongolian-American student what a “banana” was: an Asian who strives to be Caucasian on the inside. She was very concerned about racism–she learned it from her dad–but it certainly didn’t bother me; in fact, I had thought such a one was called a “Twinkie.” But it led me to ponder what a Caucasian who strives to be Asian inside might be, or whether that trend has been birthed yet. I am sure if it ain’t, it ain’t long from coming.

Day 118: I came into this business remembering too well that I had been offered no freedom whatsoever when my high school English teachers had assigned essays. College liberated me, so as a greenhorn I was on a mission from Gahd to insure my high school students wouldn’t have to wait. But, as the Grand Inquisitor told Jesus, humans don’t cotton to freedom as automatically as one would hope, and no English teacher’s experience is complete without 15,000 “I don’t know what the write about”s, so I have not so frequently been the great compositional emancipator. I don’t know what I did differently THIS year–my LAST one, of course–but maybe something worked. First papers’ subject matter: jackfruit (real and metaphorical), a fantasy planet that’s been being created in a kid’s head for years, a wrasslin’ match with God and His signs, and a high school friendship gone cold. I hope this keeps up–some damn fine reading.

Day 119 (a little late, but I have a pretty good excuse): A tip of the hat to all of the excellent substitute teachers who’ve ever come in to wrangle my classes into shape in my absence. They have a thankless task, but a good one is a real treasure, because when he is in the driver’s seat, you can concentrate on getting well or attending to family matters without the nagging worry that ALL HELL IS BREAKING LOOSE! Dedicated to two of my recent favorites, Jared McCormack and Joe ‘Brothanogood’ Fessehaye, and one old favorite who’s gone on to rock and roll glory, Will Saulsbery. Every teacher has a sub he’s honored, at least in his heart.

Day 120: As hard as this gig can be, there are daily reasons for gratitude.

1) Jim Kome, George Frissell, Brock Boland, Kay Garnatz, Jessica Lucas, Sharon Dothage, Tracey Conrad, Char Johnson, Leia Brooks, and Beckie Hocks, thanks for wise words of encouragement and advice.

2) Israel Santana, thanks for your ear, heart, and story-share.

3) Vanessa Nava, DeShona Rhodes, Levi Slate, and Justin Parker, thanks for staying ultra-focused and involved in discussion of 14 pages and 30 minutes of A Rip in Heaven read-aloud.

4) Spenser Rook and Marielle Carlos, thanks for running to get a new cord, playing Korla Pandit, and introducing GTA: San Andreas to the station PS2 (I could live to regret that last).

5) Sean Brennan, thanks for the cupcake.

6) Michele Sun, thank for the hug. I am not a hugger so that is always a dangerous move.

7) Jason with University of Missouri Hospital financial counseling thanks for the sanity and strategy–I hope it bears fruit.

8) Amanda Farris, thanks for doing all you could for our mutual student.

9) Nicole Overeem, thanks for the patience for bureaucratic phone calls, phone tag with me, and being a damned great daughter and spouse.

10) Lynda Evers, thanks for smiling in the face of darkness. Bonus track: Michael Linzie-Hayes, thanks for seeing me across a crowded end-of-the-school-day hallway (at Hickman, these are uniquely dense), grinning, and waving. If I can squeeze 11 out of a day like today, you can find one!

Evers Girls

The Evers Girls at True/False

Day 121: Technically, I should take a vacation from this habit, but I AM grading papers (people, if you could just get the TECHNICAL skills downs, I could actually focus on the WRITING!), slurping java, blasting Hank Ballard and the Midnighters and The Hot 8 Brass Band, and admiring the fall of snow. Also, wondering about tomorrow (“B” day? Or SNOW day?), anticipating The Book of Mormon, The Hill, and maybe Euclid Records on Saturday, hoping for some phone calls with positive insurance news (fat chance), and deciding how many more papers to grade before I start reading. A deep bow of respect to the 99% who don’t get snow days; I am grading these papers with you in mind….

Day 122: Thanks to being invited in on a grant written by one Nicole Overeem, had the pleasure of watching one of the best documentaries ever on 21st century teenagers, Only The Young at Ragtag Cinema, with 100+ extremely well-behaved and -focused teenagers from Hickman and Rock Bridge (no drama). Thanks Jonathan Westhoff and Polina Malikin for your facilitation, Tracy Lane for making the arrangement, Andrew McCarthy for providing muscle, two bus drivers for getting us there and back on time, and Jason Tippet and Elizabeth Nims for making such a great film. Also, very happy my mother-in-law Lynda Jo Evers got to see it and sit with the cool kids of today. Check out the trailer! http://www.youtube.com/watch?v=7gY8Vmky3Bk

Day 123: Some interesting moments. You may recall an earlier post detailing a visit by three admins of varying levels to my reading class, which induced a state of near-psychedelic meta-reality. Welp, it happened again today, as we were in the midst of reading and discussing A Rip in Heaven (Will we ever finish the book? YES! 20 more pages!). I was, frankly, a little irritated that the highest level administrator actually stood in front of one of my students, blocking her view of me and talking to her while we were in the middle of trying to figure out irony. Yes…irony. I guess we all know what’s most important, eh? ANYHOW, it was a good discussion despite the distraction. Also, when I popped into an afternoon T/F assembly to drop off some tickets to be given away (I had other things to accomplish elsewhere), I got handed the mic and asked to introduce the guest speakers(?) for the second year in a row (!) [though it did result in an interesting exchange between Jonathan Westhoff (aka Ye Olde Canary) and me about early 20th century pop music, “The Old Grey Goose,” and Louis Armstrong–I am not sure how interested the audience was, but Jon and I ejoyed ourselves]. I got more fist-bumps than dirty looks for wearing my Kansas Jayhawks shirt to school, though I did get some VERY dirty looks. And I had a surprise visit from Jason Michael Herd II, who claims to want to get into education because of my influence. Jay, you SURE you know what you’re doing? (Note: Jay once totally nailed a fantastic Iggy Pop-inspired performance art piece at a Hickman Poetry Slam that silenced the crowd. And did not win him a placing position.)

PASSING TIME, PART 6: Extracurricular Fun, Part 2–Pierced Arrows Invade Hickman High School and Justify Their Legend

Fred in LT

Note: I did not teach this lesson.

“…they won’t wear your t-shirts now….”

Local H, “All the Kids Are Right”

Through a good friend, I had heard of Dead Moon in the mid-’90s: “They’re garage rockers, but their lead singer’s about 50 and has been playing since the ’60s.” I had checked out their album Trash and Burn, which was lean, mean, raw, and wiry, with vocals that reminded me of Bon Scott’s, but, at the time, I was being deluged by so much music and stuff-o’-life that the rekkid got lost in the shuffle, even though it spoke directly to things that matter most to me about rock and roll. When they played a club here around the same time, I knew about it–but it was on a weeknight and, being a good-boy teacher for the moment (I was erratic in that area, at best), I skipped it. To what will be, I am sure, my eternal regret.

Fast forward to the mid-‘Oughts. I am sure most owners of record collections numbering 5,000-plus will relate, but, one weekend, sniffing around for something to listen to, I fetched Trash and Burn from where it had been hiding for a decade, slid it into the player, and stood back as it lit our house aflame. Both my wife Nicole and I exclaimed, in spontaneous chorus as old marrieds often do, “Where has this band been all our lives?” With the Internet now at our fingertips, we delved deeper, and found out about a documentary about the group called Unknown Passage: The Dead Moon Story, and immediately ordered a copy.

As will happen, I swear, to anyone who watches this film, we were stunned, then joined in lifetime loyalty to Fred and Toody, “The Coles,” as they are known to cognoscenti. Married for almost 50 years at this writing, successfully applying the DIY ethic yearsway before it was hip in the rock biz to everything from home improvement to instrument repair to music production and distribution to child-rearing, functioning as pretty-damned-equal partners in singing, playing and writing, these two dyed-in-the-wool rockers not only defined the rock and roll life in a way that didn’t get you looking at your shoes, but also served as a textbook case of true family values. I am not going to describe it; you just order the film, podnah. We have been pushing it on every vulnerable soul for seven years.

Concurrent to this discovery, at the Columbia, Missouri, teaching gig that was subsidizing my record collection, I was experiencing some surprising turns of event with an extracurricular club called The Academy of Rock, which a student of mine and I had founded in 2004. A couple of enterprising students had suggested that we try to convince bands who came through Columbia for shows to stop by our meetings and chat about songwriting, the rock life, and anything else fun. The worst that could happen was being told “No,” so onward we went, and, literally before we knew it, Amsterband (the future Ha Ha Tonka), Cary Hudson (former Blue Mountain and Neckbones), The F-Bombs (a local punk band), and–I had marks all over from pinching myself–eventually, The Drive-By Truckers and The Hold Steady had played–played, not stopped by to chat–in our school’s Little Theater, for free, with deep-ass Q&A, friendly autographing sessions, and invitations to come to their shows with guest-list privileges. So, when Nicole and I discovered that The Pierced Arrows, the Cole project that rose from the ashes of Dead Moon, were playing The Record Bar in Kansas City, we decided to go and maybe strike up enough of an acquaintance to ask them to swing by Hickman.

True to everything we had heard about them, Fred and Toody sat with the rabble through both of their opening bands’ sets, drinking beer, smoking, and obviously engaging with the groups’ music. Between sets, I tip-toed over to Toody, and begin shooting the shit. When I told her about our club and our (by now) tradition of bringing in bands, she enthused, but said, “Well, we’re heading for Europe next week, and we’ll be there for a few months, but, if you give me your phone number, I’ll get in touch with you when we’re back in the States.” Returning to terra firma after a shattering Pierced Arrows set (for the uninitiated, the only real difference between Dead Moon and The Pierced Arrows is slightly heavier guitar and slightly steadier drums) and hitting the prairie pavement back to Columbia, I turned to Nicole and said, “Well, we did get to meet them, we do have Toody’s phone number, and the show kicked ass–but surely after two-three months they’ll forget about us.”

Wrongo. Almost three months to the day of that show, Toody called me out of the clear blue sky and asked, “Hey, we have a day off coming up between Columbus and Kansas City, could we [YES–“could we?”–I shit you not] play at your school then?” I was so gobsmacked that about 10 seconds of silence followed before I Marv-Alberted a “YES!” into the receiver. We quickly agreed on details–we’d pay for their hotel room and food after the appearance, since they’d have to hit the road immediately following for the Kansas City gig–and I proceeded to pinch another red mark onto my arm.

The day before the band was due to play, I was moderating a Socratic seminar for my British literature students in our school’s office conference room when my cellphone began buzzing. I don’t get phone calls much, especially during the day, so I sneaked a look, and saw it was Toody. I put the temporary kibosh on the seminar–do you blame me?–stepped outside, and took the call.

“Phil, we are so, so, so sorry we are late! I think we can set up in ten minutes once we get there [they were 30 minutes outside of town] if you can still make it happen!”

“Toody–it’s not until tomorrow.”

“You’re shitting me! [Turns away from phone, shouts “It’s not ’til tomorrow,” is met by jubilant screams from the rest of the van’s occupants….] Fantastic! We are tired and hungry and need to decompress…but, hey, come by the hotel room and say hi!”

 

I am not making this up.

 

Nicole and I swung by to see them, but they were obviously beat, so we just gave ’em some dining recommendations and double-checked the details. We were particularly careful about the latter; when The Hold Steady visited, they arrived an hour after they were supposed to, and at the very moment that, in front of a packed theater, I was running out of steam stalling the crowd with their biographical details–sanssoundcheck and sans anxiety, since they drifted in on a cloud of cannabis cologne. Fred assured us they’d be on time for a soundcheck, so we left them to get their rest.

I had arranged to have a substitute take my afternoon classes the next day, and, late that morning, as some Academy of Rock club members and I were setting up the PA in the theater, my phone began buzzing again.

“Hey, Phil, we’re here.”

“But Toody, you didn’t need to be here for another hour-and-a-half!”

“Oh, that’s OK! We want to meet some of the kids and hang out if it’s OK […if it’s OK????].”

“Well, hell, I’ll send a couple of ’em to come get you.”

We spent the next 90 minutes not just sound-checking but actually hanging out and talking about everything under the sun, with Fred giving some of the school’s theater tech kids, who were helping us, tips about rock and roll sound. For example, since he had lost 70% of his hearing by that point [no big deal!], he preferred to have two monitors on each side of him, facing each of his ears. That was just one of the many things the kids learned from him in that very information-rich hour-and-a-half.

The performance? Titanic. Also, easily the loudest in Hickman’s history (the DBTs and Hold Steady had played unplugged–but you don’t unplug Fred Cole). We recorded it, but, unfortunately, we screwed up Fred’s vocal levels; it’s still power-packed and worth a listen, though (see below). The band played all of their then-new album Descending Shadows, plus the best of their previous record, Straight to the Heart.

After the sixty-minute show, they then took student questions, which–if they weren’t already excellent, which most were–they would cannily reconfigure for the best possible responses. I would recap it, but, if you search intelligently, you can read the Columbia Tribune cover story about it. The amount of wisdom shared in the nearly three hours they were in the theater was mind-boggling, and, even when the bell rang to dismiss students for the day, they were not yet done.

Toody

I sidled over to Fred, Toody, and their awesome drummer Kelly Halliburton, who matched them word for word, note for note, gesture for gesture in sheer rock-band fan-care, and said, “Well, district rules forbid us from getting gift certificates for visiting ‘educators,’ but here’s $40 to go eat some pizza and drink some beer at the local-favorite pizza joint. Let me draw you up some direct—-“

Fred: “Hey, just bring some of the real big fans and come eat with us.”

“You’re serious?”

“As a heartattack! Just let us have one of the kids to navigate!”

As it happened, one of the kids was already thoroughly inured to the ways of The Coles through our having forced Unknown Passage: The Dead Moon Story on him and his having avidly explored their discography. (Oh yeah: we also took him to the aforementioned Pierced Arrows shows in the guise of our nephew, since it wasn’t all ages and the manager had given us permission–don’t try that one at home, fellow teachers!)  So we sent him along, and, people, I have never seen a student happier. He even got to bum a cig off of Fred!

At the pizza joint, we bought several pizzas, the band knocked back a few pitchers, and we had a total blast. To the end, though, the Coles and Mr. Halliburton were fan-centered. I had expected dinner to be a barrage of questions from the kids about rock and roll history (Fred goes back to the mid-Sixties through his involvement in The Weeds and The Lollipop Shoppe, and knew Janis Joplin well), but, instead, the trio queried the kids about their lives, their tastes in music, their experiences in bands, and…just life.

PA + Kids

That kid on my right was a ninth-grader. As I drove him out to his folks’ house, neither of us could keep from shaking our heads in amazement that, along with rocking our asses off, they lived up to their advance notice and more. And as he told me,”I can’t believe they came to my school!”–it wasn’t his yet, but it would be the following year–I realized that it was probably the finest moment I’d ever experienced (could probably hope to experience–and, no, it ain’t been topped yet) as a public school educator. Beyond the educational impact, the encouragement the Coles’ chemistry and commitment gave Nicole and me, who have approached marriage unconventionally in more than a few ways, continues to resonate.

Fred had successful heart surgery earlier this year, and just turned 66 last week (Author’s note: Mr. Cole passed away in 2017). I am sure, however, that he will be back on the road with The Pierced Arrows soon, and, if they come to your town–go. They are about rock and roll, but so much more. Be sure to bring t-shirt money, whether you are a kid or not.

January 2013

Happy New Year

Day 88:

Me: “Welcome to your–and my–last semester of public education. It’ll be bittersweet for all of us.”

Student: “Do you think you’ll cry?” Me: “No, because then, to be fair, I’d have to do it for the other four classes!”

Day 89: Two interesting transition-hinting moments. In second block, I received a new student: the son of a former student (you done good, Tim Matney!). In the radio station, to which I have over the years bequeathed some excellent vinyl items of which I have duplicates (but which have not been getting played), I learned that one of our DJs got a turntable for her birthday–so I fished out some winners (Only Ones, Wild Magnolias, Heartbreakers’ LAMF remix, Lefty Frizzell, Tom T. Hall, Archers of Loaf) and gave ’em a decent home. About 30 years ago, I did the same thing with my baseball, basketball, and football cards, and my comics (at least at present I have about 1,500 records left), which I hope that kid–now a man–still owns. Bonus moments: The Phaggs (one of whom is a former Kewpie) personally delivered their new 45 to my classroom, and this chunk of dialogue tickled me, though the humor may not translate: Me: “I don’t like red grapes.” Adriana Cristal: “Grapes, figs, and bananas have non-viable seeds.” Patrick D King: “What are non-viable seeds?” Adriana: “You can remove non-viable seeds and plant them, but they won’t grow, and–wait, I haven’t finished the packet.” We are waiting with bated breath, Adriana….

Day 90: One thing I will definitely miss about this gig is being able to observe special student friendships, especially ones where one admires the kids separately, THEN discovers they are buddies with each other. My mind was blown this morning before school when two students I would never have guessed even KNEW each other (one a superb, humble, smart human from my reading class, the other with the most phenomenal range of music interests I have seen in a student in three decades) came in to introduce me to another student I had only heard…legends…about. After we talked (and set up a gig at The Bridge!), they stepped outside, and I could hear them continue to talk, with another, ALSO familiar voice chiming in. I stepped out of my room a few minutes later to discover the three of them were buddies with one of my all-time favorite students I have ever thrown out of class (he has made anonymous appearances in two previous posts). It’s this kind of friendship that is one of the few things that makes high school–particularly PUBLIC high school–VERY unique, and it’s very ennobling to witness.

Day 91: Had to search a bit today–morning was alright, looked forward to the afternoon, but got disrespected and exploited instead (another day in the human race). However, seek and ye shall nearly always find: had a nice meal at Lonnie Ray’s with Nicole Overeem, Mr. Benjamin S Carpenter (the former student who turned me on to the place) and his wife Becky Byrd Carpenter, plus their loquacious kid, Miss Vivian. Sometimes you bond so completely with a student that 22 years later he gets to buy you dinner, and you leave the tip. It’s on me next time.

Day 92: Gratitude–Zane El-Shoubasi, thanks for teaching me about Eid; J. M. Coetzee, thanks for writing so powerfully; Core 4, thanks for being so much fun today; Science Olympiad team, thanks for working so hard and enjoying each other so much; Joanna Zou, thanks for flexing your leadership; and thank my lucky stars tonight was my last Curriculum Night ever!

Day 93: Weirdly, I will miss writing grants! Today, I put together one (probably the last, at least from me) asking for funds to further grow the Hickman Media Center’s American Roots Music Listening Library, which is already about 500 discs strong and stretches from 1895 to 2008. As seen by that range, it needs some updating, so, if I’m fortunate enough to get the funding, I am going to collaborate with student experts in hip hop, punk, and blues to make the selections and write the new descriptions for the database. It will be nice to see some new students join names like Jon Hadusek, John Grupe, and Jordan Maze in the pantheon of Kewpie rockwriters.

Day 94: My longtime colleague George Frissell gave me a yin-yang test. I came out with a yin score of 16 and a yang score of 15, fairly balanced if a shade…soft. As the man himself said, “It’s not a very scientific test.”

Pound Game

Pound Game at the Bridge!

Day 95: I got to do three things today I don’t normally get to do–a) talk in-depth to my kids about next year’s enrollment; usually my advice is not needed, but this year I have several students who felt my thoughts and advocacy came in handy; b) share “Top 5 Hip Hop MCs of All-Time” lists with  Ziggy Vann Lyfe and his buddy Colin (for the record, and this will reveal my “vintage,” mine were Chuck D, Rakim, Jean Grae, DOOM, and a tie between Nas and Eminem); and c) help construct the next “Academy of Rock Showcase at The Bridge” flyer. And I got to see one thing I have never seen at school: a parent snatch a perpetually ringing cell phone out of her spouse’s hand and physically remove it from a meeting (it sounded like she flushed it down the toilet)!

Day 96: Abortive plans are a workplace hazard in this biz. Today…how could it go wrong? Same plan for both Block 2 and 3–finish “The 16th Man” (ESPN 30 for 30 doc on the role of a rugby match in immediately post-Apartheid South Africa; used to background our study of Coetzee’s DISGRACE a bit), give quiz over reading, use quiz answers as springboard for discussion, share research on South Africa. 95 minutes, less than 30 left in film–PLENTY of time. Plus, three activities planned for such a time period–that’s good methodology, Overeem. BUT…one of my students had to leave early, so she wanted to take the quiz ahead of time, so I just flipped the order of activities, BUT I jabbered and set-inducted so long that by the time of the quiz, the kid had already had to leave. Still time. I administer the quiz. Ten minutes, students have it done, steady as she goes. Quiz #1, nice, neat discussion, on the mark. Quiz question #2 dealt with the issue of consensual vs. non-consensual sexual relations as they play out in the early part of the book…65 minutes later–PING! That’s the sound of dismissal. Block 3? Rinse, wash, repeat. At least the prolonged discussed drew closer attention to the issue, especially for students who haven’t tuned into the news from Steubenville and New Delhi.

Day 97: I often mourn the fact that multiple pernicious forces (Jack White and Black Keys notwithstanding) have sucked the blues essence out of American pop music. Some would argue–and I’d have a hard time denying it–that it was inevitable. But my day was made today during my afternoon radio station supervision when one of our forces brought his guitar and amp and suddenly rippedout some gnarly slide. It had been a frustrating day but it all went away instantly. Also, at Science Olympiad, I suddenly realized that the little kid who, along with a few of his sophomore peers, talked me into coaching the club had…sniffle…grown up–he seemed twice as tall and possibly able to whoop me.

Day 98: Several years ago, by fond and oft-mentioned colleague George Frissell and his bride Susie Frissell suggested we attend the annual Columbia Values Diversity Breakfast, and I haven’t missed one since. Today’s was very special: a magnificent gospel choir performance directed by the esteemed Dr. Clyde Ruffin (whose wonderful daughter Candace Ruffin I taught as a middle schooler many years ago), and a speech by Martin Luther King Jr. III. The cherry on top was being able to bring some great, social justice-minded students (Aaron Bressman, Tierney Morales, Adriana Cristal, Zane Elshoubasi, and Marielle Carlos). AND…I got back just in time to finally teach a decently organized lesson, which I not so ironically did by not teaching much.

Lawrence 2Lawrence 1

In and around a nice trip to Lawrence, Kansas. Bands on left are Natural Child (top) and Mr. and the Mrs. (bottom)

Day 99: A quiet but deep thank you to longtime colleague Mark Blount for courage and a call to sanity. Would that all ears were open to your message, and now I see why Jacob Blount and Nathan Blount are made of such fine stuff. And good luck with the chemistry curriculum rebuild!

Day 100 (my, they are slipping by): That wacky B Day, Core 4 literacy class. Walked in worried about how they would perform on their first scored book talk of the year, on 13 Reasons Why, and was met by Sha’Quan Davis, who handed me a pen rigged to shock the sh*t out of me, which it did. Not the best omen. Two kids were behind in the reading; one had a horrible weekend dealing with a death in the family, and chose to sit it out. Uh-oh. BUT…they responded with a book talk that topped the three Brit Lit Socratics I’ve seen this year, balancing their discussion, actively monitoring their progress, evoking strategy use, quoting and READING ALOUD text sections (not required, or even encouraged!), and…having FUN. My shy gal Lashana Lopez even asserted herself eloquently. And the group dealt intelligently with these questions: What motivates suicide, and how does it affect those left in its wake? How can two different experiences of a single first kiss clash destructively? And how does a reader deal with diagesis*? (*Don’t feel bad, I just learned it myself last night from Ron Rosenbaum’s The Shakespeare Wars; it’s when a work of art, specifically a film but in this case lit, manipulates conflicting time frames–and I am not kidding, the kids explored it.) A day I would have worked for free.

Day 101: As the True/False Film Fest Academy and Youth Brigade (and friends) watched Mads Brugger negotiate his way through the corrupt labyrinth of The Ambassador in the Hickman Little Theater today, I began to wonder whether we had chosen the wrong movie–it was making Nicole Overeem’s and my own head hurt trying to following Mads (and the money), and WE’D seen it once before. Generally, when such a mismatch happens, the high school version of Roger Ebert’s “Thunder Index” kicks in: the thunder of feet stomping up the aisle and out the door. However, our intellectually committed youth hung tough for the duration, and closed our session out with some great discussion, even though it was already 4:45 p.m. Aaron Bressman, Komina Guevara, Adriana Cristal, Ambrosia McCord, Zoe Marie Clark, Savannah Brenizer–thanks for your enthusiasm!

Day 102: Spent two consecutive 95-minute periods taking apart and admiring (fortunately, those processes did not interfere with each other) Andrew Marvell’s philosophically seductive and seductively philosophical “To His Coy Mistress” and discussing J. M. Coetzee’s approach to psychological realism (particularly the nature of a 53-year-old disgraced male’s actual thought-flow). Diverged into actually relevant stories about sabotaging my math teacher’s graphing chart with a Playboy centerfold (with Todd Freeman) and once, as a youth, imagining that, if I’d produced offspring, s/he might have grown into a serial killer. Props to Emily Thornton for calling up the following Marvell lines for justly high praise: “…therefore, while the youthful hue/Sits on thy skin like morning dew,/And while thy willing soul transpires/At every pore with instant fires,/Now let us sport us while we may….”

Day 103: Today was as fraught with failure as yesterday was sparkling with victories. As Nina Simone sang, it be’s that way sometimes. A manic depression profession. BUT…I bow to two young ladies who stayed cool when they could have erupted, a reading group who didn’t want to meet but rocked, and a radio station denizen who turned me on to an ill-starred Japanese free blower last name of Abe who blew me away. And now I get to spend some quality time with my favorite colleague first name of Nicole.

JC

James Carter at the Folly, KC

Day 104: Gave my Brit Lit students the option of writing to the first prompt I ever received as a college student, and the first prompt I’d ever received PERIOD where I had ANY wiggle room: “Write a personal essay about vacillation.” No specs other than 650-750 words. They have broader freedoms but I hope some will take the proffered angle.

Day 105: Another in a recent string of hard school days marked by painful but necessary decisions involving students I have great admiration for…salvaged by T/F Film Festival Youth Brigade and Hi Def Academy meeting at Ragtag Cinema where acclaimed Missouri director Chad Friedrichs (of The Pruitt-Igoe Myth fame) took students’ questions, talked nuts and bolts, showcased a clip from one of his own favorite directors (Adam Curtis), and previewed a piece from his mesmerizing and fairly hilarious new project. Also, Academy members shared their progress on their audio interview projects, the ideas behind which are very promising. Finally, great encouragement and good cheer from our fearless leader Polina Malikin and her fellow film culture abettor Jonathan Westhoff. Columbia is truly a place where I am fortunate to teach and, you, my students and local comrades, are fortunate simply to reside in. Sorry ’bout that closing preposition.

Footnote 1: Emma Lopez, that was the funniest IEP meeting I have ever attended where I would not dare have laughed.

Footnote 2: Israel Santana, thanks for justifying our belief in you.

Day 106: I fully enjoyed, through a simple conversation, helping Bailey Marie Wilborn arrive at a way to make her electronic portfolio thematically integrated–and therefore, actually–could it be?–fun to put together. Also, a quartet of students traveled the twisted and knotted road that brought me to Hickman (and, thus, to the vehicle of my soul’s improvement) through an impromptu narrative I spun out (it’s one of my favorite stories, and maybe I’ll tell it here one day). Fortunately, it was a work day in the lab, and the quartet (I hope) was ahead on their work.

Day 107: Scenario–Science Olympiad meeting in Gold Lab. Enter, one of my Brit Lit students seeking peer editing advice. Her instantaneous response upon taking in the tableau–“What IS this???” They get that a lot.

PASSING TIME, PART 5: Extracurricular Fun, Part 1–Sponsoring Clubs and Beating Myself Over the Head with Them

Teaching five or six classes a day is a heavy enough load itself. Add a school club or competitive team to that weight, and the job can truly become one’s life. Young teachers quickly intuit this, and hope to avoid being assigned extracurricular duties. When I began my career, “assigned” was the operative concept; newbies were expected to accept happily such responsibilities as a part of dues-paying—not to mention because their energy level had not quite yet been sapped to brown-out levels. The trouble was, this acceptance usually wasn’t addressed in teacher training, so it had a tendency to take the average greenhorn by surprise.

Such was my introduction to club sponsorship. Before the start of my sophomore campaign, I was called down to my supervising assistant principal’s office. We’d hit it off fairly well during my insane first year, but he had consistently chided me for wearing jeans and staff sweatshirts too frequently, to which I’d responded that it was a strictly a matter of economics, not sartorial aesthetics. I barely made enough money to pay rent, eat, and medicate myself with beer, so assembling a slick wardrobe was out of the question. He wasn’t impressed that I’d countered with an excuse, but, back then, on final evaluations, the teacher was given a space for “rebuttals,” so I repeated the explanation in writing, and I was pretty sure he hadn’t admired that. So I was already wary as I responded to this particular summons to his office.

“Phil, we need you to sponsor a club that’s having a little trouble staying afloat.”

“I’m not interested, really. I’m enjoying the teaching, and I keep myself pretty busy after hours and on weekends.”

“Phil, I don’t think you understand. We need you to do this. Also, the kids have gotten wind that you enjoy what you’re doing here and think you’d be a good sponsor for them. Last year’s sponsor moved on.” Translation: “Phil, you don’t have a choice. You are going to do this. Also, the old sponsor ran away screaming.” Unfortunately, I was a BLL: “Bureaucratic Language Learner,” emerging division.

“No, seriously, I don’t think club sponsorship is my thing. I appreciate you and the kids thinking I would do a good job, though.”

A look someplace between severe constipation and bottled rage tightened and darkened his face. Clearly, he didn’t want to have to tell me I was going to do this; he wanted me to make it easy for him and just accept it. He did not know he was dealing with a guy who had always been a little slow on the uptake. I thought I had a choice—I’d inferred it from the language of his request.

“Look, this will look really good when you’re evaluated at the end of the year.” Now he was communicating in a tongue I understood. I wasn’t happy about the clothing issue from the year before, nor about his giving me an informal “B+” for my year’s performance (in retrospect, that was very charitable), but I also thought that, should I continue to refuse the offer I actually couldn’t refuse, I would end up bumping my hard head on a glass ceiling of sorts.

I folded. “Alright, I’m in. What’s the club?”

“Have you heard of Canterbury Society?”

My eye began to twitch.

“No.”

“Well, that’s the problem. The club is way under the radar and hasn’t done anything of note to be on the radar for a long, long time.”

“So, uh, is this a club of…Chaucer admirers?”

“Actually, Phil, I am not sure what it is at this juncture. But I’ve taken the liberty of setting up a meeting for later on this week for you and the five or six remaining kids from last year, so you can find out then. I think you’re smart to accept this position.”

Walking out of his office, I thought to myself, “Well, the main problem is that the idea of a high school club apparently designed to celebrate Chaucer will never be a hot proposition. At least for long.”

 

When I met the kids, many of whom I wasn’t too surprised to find were or had been my students, I was slightly relieved to learn that Canterbury Society was a club for kids who generally liked literature, but, when I asked what they’d come up with for activities, they responded quizzically. Did they know what a club was? I suggested that we get together maybe once a month to share excerpts from what we’d been reading, but that was met with blank stares. They’d tried that, and it’d had the effect of chasing off members, with which the club wasn’t teeming to begin with. They felt they needed to really do something.

“We could do a fundraiser,” someone chimed in, apropos of nothing.

Curious, I asked, “What would we be raising money for? Usually, the need comes first, doesn’t it?”

Someone else piped up. “The Developmental Center for the Ozarks always needs some funding, according to my parents. They train disabled adults to work and contribute to society. We could raise money for them.”

Always an annoying nit-picker when it came to relevance and practicality, I posed another question: “How would said fundraiser connect with, y’know, reading?”

Silence.

I lurched into the void with an idea that, had it come from an experienced teacher, would have given one cause to question his mental well-being: “We could do a 24-hour read-a-thon, and collect pledges based on each individuals’ pages read. They could just lock us in the library on a Saturday morning and let us out on Sunday.” Someone clearly needed to object to such a proposal. And fast.

A month and a half later, we stood staring as a janitor locked the school library’s doors from the outside, a group now grown beyond 40 and hoping that our coolers of soda and piles of snacks would hold out—and that the Domino’s delivery guy wouldn’t set off the school alarm. What I’d already discovered (and should have remembered from my own high school experiences) was that, outside the classroom, students were even funnier, more interesting, and energetic than they were in it, which had the welcome effect of balancing the frustrations I was experiencing trying to make learning happen as an English teacher. The 24 hours passed surprisingly quickly, as we played cards and games every three hours or so to keep ourselves awake and fresh, traded stories from our respective trenches, shared what we were reading, and shifted over to mathematics to try and project how much money we might raise. Knowing the bare minimum about the ground rules for school activities and letting my enthusiasm drown my already sketchy common sense, I’d not arranged to have other teachers or a few parents help me supervise—I think the principal assumed I’d done so, because I can’t imagine she would have otherwise allowed me to go it alone—so I had to stay awake keeping them awake—and monitoring for clandestine romantic interludes within the stacks. As well as waiting for the pizza.

The night custodian let the Dominos delivery boy in with the pizzas mid-evening, and after chowing down we’d found we’d overordered—grossly. At least it wasn’t coming out of our fundraising; we’d chipped in together and gotten a boost from the office to pay for the pies. Still, it’s depressing to see a tall stack of full pizza boxes you’re too full to eat. Suddenly, one of the kids burst forth out of a burgeoning brainstorm.

“There’s a speech and debate activity in the Commons tomorrow morning. Let’s sell cold slices for breakfast for 50 cents apiece!”

The rest of the group exploded in laughter, and even I thought the idea was even more cuckoo than a 24-hour read-a-thon with no supervisory backup, but, well, I’m often wrong. Happily, I was also wrong about the idea being cuckoo—never underestimate the pull of pizza—as we spent our last hours, with the morning custodian’s assistance, rotating into the Commons to sell all the leftover pieces and adding cash to the charity coffers.

All told, we raised over $2,000 on nickel-a-page pledges and who-knows-how-many total pages read. I wish I still had the paperwork after 30 years. And it felt good to set out to do something and actually end up with cold, hard evidence that it got done, and got done well, all the while with all involved having a blast. That’s not quite so easy to replicate in the classroom. Also, I didn’t have to commandeer the activity with the intensity teaching required; I could relax a little bit, kid around, tell some stretchers, and be myself. We repeated the activity the next year, with almost twice as many students (as well as some backup chaperones), and raised almost $1,000 more than we had before. True: the read-a-thon was our only activity of the year, other than planning meetings for the read-a-thon, but, hey—we did something.

 

Of course, no good deed goes unpunished. I was soon very comfortable in my role as the sponsor of Canterbury Society, and, after a rough second and third year, I was getting my pedagogical footing. Those are also the years when young teachers begin to feel deeply the mental, emotional, psychological and even physical cost of the job, and begin wondering how long they can keep it up. For the first of only three times I can remember, I had been considering another profession, but my involvement with kids outside the classroom had helped me come to my senses.

I had also weathered my first career controversy: during a first-hour class, with several female students surrounding me at the front of the classroom, I had taken out my wallet to buy some fundraiser cookies, and a 10-year-old condom, probably turned to powder in its weathered wrapper, flew out of my wallet and onto the middle of my meticulously clean desk. After the deafening laughter died down, I begged the young ladies to please keep a lid on the unfortunate occurrence. That was like asking a pyromaniac not to ignite a river of kerosene, and by lunch, I knew from my second, third, and fourth hours’ razzing that my mishap was already the talk of the halls. Then came the inevitable call to the office–the principal’s office, occupied by an administrator, Dolores Brooks, whom I very much liked, thoroughly respected, and feared not a little.

I shuffled sheepishly into the main office and reported to Mrs. Brooks’ secretary, who was sporting what I quickly interpreted as a Puritanical glower. She waved me in with disgusted officiousness, where Dolores, who’d been a basketball player at Purdue and towered over me, was standing glaring at me, arms crossed and lips pursed.

“Sit down,” she fairly ordered me.

I sit down and stared at my lap, unconscious of the meaning that might have conveyed.

“We have a problem, don’t we?” she asked, funereally.

“Yeah. I screwed up.” You know, I actually hadn’t. In fact, had I not been mortified and 25 years old, I would have alchemized it into a teachable moment. But this was Springfield—my friend Frank called it “Banks & Bibles, Missouri” with good reason—and I feared the very worst.

Mrs. Brooks went on. “I have a very serious question for you.”

“Yeah, I figured.” I knew she was going to ask me if I wanted to keep my job.

“Do you need a fresh supply of condoms?” she asked, poker-faced.

She proceeded to lapse into a convulsion of guffaws, tears glazing her eyes. They don’t make principals like that anymore.

She came out from around her desk, put her arm around me, and said, “C’mon, I’ll buy you lunch. Some of your peers would like to harass you in the teacher’s lounge.” And did they.

 

But it wasn’t this call to the office that is relevant. A few days later, Dolores called me into her office again, where she was visiting with my evaluating principal, who was also the administrator charged with overseeing school activities. He’d formerly been Parkview’s student council advisor, a position that’s frequently a rung on the ladder out of teaching and into administrating (wherein the big money lies). I still had a touch of the fan-tods from the condom incident, and since I hadn’t quite made an effort to dress more fashionably—this was the Miami Vice Eighties, so I had another reason to drag my heels—I was a little leery of Brooks’ underling. They wasted no time getting to the point.

“Judy Brunner will be taking an administrative position at another building next year, and we’ve been talking to our student government about whom they’d like as their sponsor next year.”

Uh-oh.

The AP chimed in. “They didn’t even take time to think about it. They would like you to do it.”

I’d like to interject at this point that these student desires had little to do with any quality teaching I might have been doing. I was young, full of energy, easily manipulated, and liked to have a good time whatever I happened to be doing. By and large, the bulk of the rest of the faculty at Parkview, as much as I had learned from them, was a bit worn out, cynical on a regular basis, and not totally invested; I would understand all of that later. As for the moment in question, as you will see, I had learned very little and understood even less.

I countered, confidently, “Well, I have a club, it’s doing pretty well, my classes are huge, and I am working very hard. Plus I’m a lit guy, not a government guy. I’m going to have to pass.” I looked at them for a response. They appeared lightly dumbstruck. They said nothing.

I continued. “I need to grab lunch because I have to set up an activity before my next class comes in. Good luck with the sponsor search.” I hurried out, with a creeping suspicion that the interaction had been too easy.

Later, on my way out of the building, Dolores saw me and waved me into her office again. I started to sit down, but she told me, “This won’t take long. We appreciate your reasons for not wanting to sponsor student council, but we figured that by now you got the concept that you don’t have a choice. We were a little stunned, or we would have corrected you last time you were in here.”

that council

Parkview High School Student Council, 1988-19898: A great one. Author on far left.

Thus began my tenure as a student council sponsor, an experience that would lead me directly out of Springfield to Columbia, where I now live. My first year was exhilarating and absolutely draining. Parkview’s student government model put the group in charge of assembly scripting and execution, the school blood drive, elections, decorations and events for homecoming, and interviewing and selecting top leadership for the following year. In addition, members were expected to read, obey, and augment file folders documenting past years’ responsibilities for their positions—a nifty idea, especially when you’re a new sponsor working with a 12-member council of strangers. Unlike many student council sponsors today, I was fortunate to have my final class of the day dedicated to meeting the group for planning and working (one less class of essays to grade!), but that was just enough time to get settled, crack wise at each other, and brainstorm—by the time we were ready to work on a script, compose memos to faculty, or paint a sign, the school day was long over.

The kids were bright, hard-working, creative, and witty, and thus a true pleasure to work with, but, after working at the school for 85 hours during my first five-day week of homecoming, then awakening at 4:30 a.m. the following Saturday morning to load the gang onto a bus for an all-day state student council conference, I was able to accurately measure the cost. I have always been a high-energy person who’s never needed much over six hours of sleep a night to run at full capacity, but two moments from that week communicate just how draining my responsibilities were.

I happened to be showing my fifth-hour class the film version of To Kill a Mockingbird on the climactic Friday of homecoming–the fourth consecutive hour I had shown it, and, since my fifth hour took lunch in the middle of the period, I had to dismiss them, since no bell was sounded. At 12:05, five minutes after lunch dismissal, I awakened from a deep sleep, head on my desk in the back of classroom and drooling, to the whole class laughing and pointing at me—I’d passed straight out.

The next evening, after returning from the student council conference, my housemates and I were hosting a Halloween party and, though I had the energy to don a costume (I was a dancer from Madonna’s MTV voting commercial), I made the mistake of kicking back in a recliner to chill a second and have a beer, and within seconds was dozing soundly for the entirety of the crowded soiree. I awakened at 7 the next morning still in the recliner.

However, I was just the overseer. Imagine the drain to the students’ system! They even had to stay after the homecoming dance Friday night—with their parents—and clean up, a long-time student council tradition from which I was mercifully excused. Fortunately, I was still in my 20s; I’d never survived it at 50!

 

The second year was not so nice. For one, Dolores Brooks, who’d visited our class after every major event to express her admiration and written notes to specific commissioners when an assembly or election had gone swimmingly, had retired, and her successor was the AP who’d been my evaluator for my first five years, who’d “asked” me to sponsor Canterbury Society and balked at my daily ensembles. He’d been the student government sponsor before the sponsor I’d replaced, and I’d heard he’d controlled it with a mandarin grip. I soon realized that grip extended to his strong emotions about student council. It’s not that I ran a loose ship; I operated on a principal of trust and made a point to always know what each member was supposed to be working on, plus I had gotten good results from a peer’s advice. Bob Bilyeu, the legendary Parkview speech and debate coach, upon learning I had ascended to a challenging supervisory role, had pulled my coat about his concept of “benign negligence”: you work closely with them early to make sure they have a grip on the basics, then you hang back—at times, disappear—and let them do it and, very important, figure out their own solutions to problems which arise in the process. Again: trust. It’s an element that’s taken a back seat (if it’s even in the car) in many 21st century public schools, between student and teacher and between teacher and admin, but I speak the truth when I say it worked for me. Did I ever get burned? Once. To that in a moment. Suffice it to say that the new principal did not approve of “benign negligence,” but he chose “passive aggression” to communicate his disapproval.

Exhibit A: we’d set a city record by collecting 180 pints of blood the previous year during our spring blood drive. Plus, we’d run the drive efficiently, and even had fun—though I’d fainted while being asked questions about yellow jaundice and never made it to the stretcher. Our president asked, “Hey, why don’t we do one each semester—we have a great organizational scheme, our kids like to give, and we had a record number of faculty show up as well.” I think that’s the first time (of many times to come) as an extracurricular advisor that I’d invoked the Wild Bunch credo: “Let’s go. Why not?” We received a slightly grudging approval from the new boss, spaced the first drive a reasonable set of weeks away from homecoming, and broke our own city record with 189 pints. However, as we began planning for the spring drive, the principal showed up to the classroom to tell us two drives was too many.

“But wait, you already approved us for two, and we’ve set city records two drives in a row,” our president replied, hurt.

“I’ve changed my mind. You guys have been doing too many things.”

I dove in. “What’s too many things? We’ve had exactly zero failures, I can’t staunch these guys’ creativity, and I’ve heard no faculty complaints.”

Irritated, the new boss stiffened and made a pronouncement: “One event per month. That’s the rule.”

The kids looked at me. I looked at him. “Since when? We didn’t observe that last year and nobody said a peep.”

“That was last year. One event per month.”

Not a little outraged, I blurted, “We’ve already made our contacts and set up a date with the Red Cross, and they’re thrilled, and we’ve got no major events anywhere near the drive. We’ll look extremely weird cancelling it.”

“Have the drive at your own risk,” he warned us, and he turned on his heel and was gone.

 

We had the drive at our own risk. 191 pints: another city record. But that marked the end of congratulatory notes from the principal after events, and of his classroom visits to praise us and participate in our regular debriefings and post-event critiques. It was the beginning of a kind of harassment, typified by the loose-leash situation to which I previously alluded. In order to hold on to some energy, I seldom attended athletic events at Parkview, but the student council kids were almost expected to be there, and likely would have gone even had they not been. I had no reason to think that any one of them would have needed to be on any kind of leash in public, nor that it was also my responsibility attend every big game. At a contest shortly after the principal’s huffy visit to the classroom, one of our commissioners unwisely hollered at the opposing team, “You guys are asses.” The principal fell upon on him like a Fury, kicked him out of the gym, and called me at home.

“Get rid of him. He’s not student council material.”

“I agree that his behavior was inappropriate, but I don’t think it’s cause to kick him off. How about we suspend him from events for a month. Even that’s a little harsh.”

“I want him gone.”

“I don’t think I can do that. But you are welcome to kick him off yourself, since you are in charge.”

That did not go over well.

“We’ll talk tomorrow,” he said, his words sounding like air being slowly forced out of a balloon.

The next day he stormed into our classroom again while we were meeting, upbraided the wayward commissioner in front of the class, and announced that the student was being suspended from activities for two months. He reminded us of our hallowed obligation to be perfect due to our position within the school, glared at me, and left. The students and I looked at each other without words, in clear, foreboding telepathic communication: “We still have three and a half months left.”

 

The conflict came to a very intense head during our process of selecting commissioners for the next school year. In Parkview’s model, the president, vice-president, and secretary were to be elected by the student body; those three members and the sponsor were then to interview candidates for the remaining nine positions during the three weeks leading in to spring break, select the best possible candidates for each position and obtain the administration’s approval (usually of rubber stamp variety—remember that), post the results on the bulletin board in the student commons three minutes before the bell rang to excuse the student body to spring break—and disappear. It’s a pretty good model, if you ask me, other than the time expended on interviews, which, in a large high school like ours was a chunk.

The applications had come rolling in, and, the afternoon after the deadline had expired, the three new officers and I sat at a table and gave them a cursory look. One applicant stood out like Custer in a sweat lodge: the principal’s tenth-grade daughter. Since all three of the elected officers had come from that year’s commissioners, they understood exactly what that meant.

“Mr. O, what are we gonna do?”

“Easy. We will interview her, and if she’s tops at either of the two positions she applied for, we put her on. If she’s not, we don’t. Plus, she’s a sophomore, and the unwritten rule that we only put a sophomore on if she’s a genius was one that our lovely current principal invoked back in the day. I’m not saying we won’t get any kickback, but it is that simple.”

They looked at me dubiously.

In what seemed a flashing moment but most certainly was not, we’d interviewed everyone. During a different year, the selections would have been a breeze—a clear frontrunner materialized for each position. The trouble was—though it shouldn’t have been—that the principal’s daughter, though a very sweet kid with solid potential, had submitted a drastically subpar portfolio for each of the positions she was vying for.

Again, the question: “Mr. O, what are we gonna do?”

“Kids, we’ve done it. We are submitting our list as is to the activities AP, she’ll pass it on to the principal, and he’ll have to accept it. Otherwise, he’ll be exposing himself to charges of nepotism, which he does not need, being a rookie boss. He gets his marching orders, too.”

They bought it, and I did, too—pretty much. But doubt lurked as I slipped the list into the AP’s mailbox.

 

She called me at home about an hour after school was out, her voice panicked. Despite our difficulties with the head cheese, this assistant principal had been extremely supportive of us throughout the year, which had to have brought some black rain down on her head.

“Phil! HE. IS. LIVID. He cannot believe his daughter’s not on the list. He was literally screaming at me to do something and stomping around my office. If you’re going to go with this list, you better come in with full ammo.” That metaphor spooked me.

“OK, I’m going to get the kids back together tonight or tomorrow night, since that’s all the time we have left, put the situation to them, and go with whatever they decide—though I am going to advise them that, while sticking to our guns will not necessarily help us sleep better, it will make our faces more attractive the next morning when we look at them in the mirror.” That metaphor didn’t make me feel much better.

The kids and I met for pizza the Thursday before we were due to post the results. We laid out the situation as accurately as we could: if we stuck to our decision, we very likely would be harassed even further than we already had been, and lose approval for new projects, not to mention simple support for our existence—but we’d know we’d acted with pure integrity. On the other hand, if we changed the list and put his daughter on the council, the rest of the selected group was versatile enough to easily compensate for her deficiencies—and help her hone her talents—and this would cheer the boss up, possibly—but only possibly, we recognized—regaining his full support. The cost? We’d always know we’d folded. These were high school kids who just wanted to have fun and not be at war, so I didn’t blink when they unanimously opted to fold. At home, I typed up a new list to post, drank several beers in anger, fear, frustration, anxiety, and anticipation, and slept a few minutes. At 7:30 the next morning, sobered and recharged by two pots of coffee and emboldened by an hour’s meditation with a Johnny Cash best-of, I walked into his office, dressed cornily in black and visibly unshaven.

“Here’s our list.” I remember unwisely tossing it on his desk. I was tenured at this point, though because I didn’t quite understand the timing of the process, I didn’t even know it yet.

He crumpled it up and tossed it back at me. “I want the real list.”

“You saw the real list, and I heard very vividly from Pam what your opinion of it was. Let’s not play games. You have what you said you wanted.”

He slumped, and seemed to deflate. He began to cry. I am not making this up.

“I know she’s not good enough,” he blubbered.

No! She’s is a good kid! She has excellent potential—she just is not ready yet. She has two more years—good grief, man!”

“I haven’t been a good father…I have to get to a meeting at the central office and I’ve got to get myself together. I want the original list, Phil.” I could believe neither my eyes nor my ears.

“Look, this has nothing to do with your abilities as a father. But if you accept the original list, you can’t ride us next year. It’s not fair. We’ve done a very good job this year, but it’s been in spite of your lack of support rather than because of it. They need you behind them, and—”

“Fine, fine, I know what you’re saying. I have to go. Please just put up the real list.”

I rolled my eyes, picked up the wadded-up revised list from the carpet, and got the hell out of there, thinking of Captain Queeg in The Caine Mutiny: “Where’s my strawrberries?” Could I survive another year under this man’s authority? I gathered the three new officers and discreetly told them he’d changed his mind and accepted the original list. They high-fived, and began to prepare for their spring breaks, decompressing mentally and emotionally before my eyes. I posted the original list in the commons at 2:44.45 and hit the fucking road.

Alas, this was not the end of it.

 

The next evening, visiting with my parents on the first day of my low-income vacation, something happened that I would assign to fate if I actually believed in that. My dad’s fishing buddy and best friend had come by. He was the local principal—and also the head of the state principals’ association. I’d known him long enough to trust him, he was one wise and funny son of a gun, so I told the tale of our rocky year, which still had two months left.

He shook his head in amusement and disgust. Then he brightened and asked, “You ever heard of Hickman High School in Columbia?”

“Oh yeah.” Having subbed for Bob Bilyeu as a speech and debate coach, I’d learned of the school’s reputation, which was considerable. At the time, I was impressed that Sam Walton had attended Hickman.

“You think you might want to teach there? Their current principal, who’s retiring, had an English opening which he may have already filled, but if you’re interested, I think I can convince him to interview one more candidate.”

“That sounds like a long shot, but sure! Thanks!”

I didn’t think even a remote possibility existed for my being hired, but I was definitely game to go. 36 hours after witnessing Parkview’s principal’s meltdown, I was having trouble imagining that I wouldn’t pay for having witnessed it. It occurred to me that I’d be abandoning the kids on the council to bear the brunt of his emotional instability, though they’d have a new sponsor to run interference for them whom I could prepare, and in no time they’d be graduated and on to bigger and better things. If I stayed, who knows how long I’d have to stay?

I got an interview.

I was offered the job.

But, in Springfield, on the other end of the phone call from Columbia extending the offer, I was informed that the teacher I was replacing was on sabbatical, and when she returned, she had a right to her original job. I’d still be teaching in Columbia, but they couldn’t guarantee where I’d land. This aggravated me to no end, as they’d known this and could have informed me when I’d come to Columbia to interview. Clearly, their strategy was to get me on a long-distance phone call mulling a sudden job offer and bet I wouldn’t care about being uprooted. They bet wrong. I turned it down, because it felt shady. I accepted my lot and began to prepare mentally for a long year—or possibly a long decade—at Parkview. My anxiety increased when the student body president’s band began opening for mine at a couple of local clubs—perhaps a first in the annals high school president-sponsor relations—for, even though his wealthy, well-connected, supportive, and influential parents were on board, I couldn’t help thinking that if the boss caught wind of the arrangement, I’d be further over a barrel. But you don’t fade on rock and roll because you’re worried about your straight job, man.

Alas, this still was not the end of it.

 

In the middle of the summer, as I was heading down the main hallway of Kickapoo High School, where I was teaching a summer school class of lovable sweathogs, I passed the office of the school’s principal, who’d been an AP at Parkview and the first face I’d seen when I’d reported to the building as a rookie. She was packing up. She’d just accepted a new principal position—at Hickman in Columbia.

I congratulated her, and told her we’d almost ended up working together.

“Yes, they were very disappointed when you turned down the job. They still haven’t filled it, can you believe that?”

I explained my reasoning for walking away, and with her characteristic spunk—she was another of the good ones—she said, “What if I could guarantee you’d stay at Hickman?”

“Hell, you just got hired! Do you have that much clout yet?”

“Let me see what I can do.”

24 hours later, I was offered the job at Hickman a second time—with a specific promise I’d be staying safely put. I took it without hesitation, even though the promise wasn’t in writing. Folks, I usually think in musical references: as Exene Cervenka and John Doe of X once plangently harmonized, “It’s who you know,” and as Steve Earle once wrote, “You know the rest.”

Except you don’t. That still wasn’t the end of it.

Turns out the girl we selected instead of the principal’s daughter for one of the positions she’d applied for was caught making the beast with two backs with a math teacher after hours in a classroom—she was probably supposed to be there working on a student council project. So I am kind of glad I missed that, and chose not to follow the story further. I still don’t know the ending—so, for me, I guess that is the end of it.

 

Except to say, to the untenured teachers who may be reading this, that you should step up and ask for an extracurricular duty, rather than duck it. For me, the excitement, improvisation and creativity involved, and the chance to work with kids in a different context as a different kind of teacher, helped balance the uncertainties and fears and energy drain of those early years. And, needless to say (but I will say it), you will learn much more fully how the worlds of a school building and a school system operate and, while it may feel like, even be, a baptism of fire, you will likely be much better battle-tested for the challenge of a multi-decade career. You might want to watch The Caine Mutiny, though—it has a rather surprising ending, given my own tale.